Wireless Compact Unit WCU-4
It´s all in your hands
It´s all in your hands
The WCU4 is the most robust, complete and customisable solution I have ever used for wireless focus. It has features that make it far superior to the competition. From real-time DoF on the large backlit screen, to vibrating focus marks, customisable buttons and much more. I love being able to change camera settings right from the handset when the camera is mounted on a crane or arm.
1st AC Ambar B Capoor (Known for: Lovelace, The Grand Tour, Transparent, Con Man, Rosewood and many more)
The WCU-4 is very light, comfortable in my hand and super ergonomically when it comes to mounting and also for the run and gun life. Camera control at your fingertips has been a fantastic tool for steadicam and crane stuff.
1st AC Brian Aichlmayr (Known for: Playing God, Dropa, Sanitatum, Osprey, Commercials for Brands such as Walmart, Nike, Intel, Reebok, Facebook, Adidas and many more)
For me the WCU-4 was the obvious choice of lens control - most of my jobs are on ARRI cameras, and so being able to control a lot of the settings from my handset is fantastic. I also really like the lens mapping with the easy to see the UDM readout/arrow.
1st AC Julia Green (Known for: Solo: A Star Wars Story, Black Mirror: Bandersnatch, Mary Queen of Scot, The Breaker Upperers, Random Acts and many more)
The biggest advantage of the WCU-4 is that it combines so many features into one compact device. Keeping so much control in your hand in the form of a device makes the daily workflow much easier and helps us to master any new challenges on the job.
1st AC Sasha El Gendi (Known for: Unheimlich perfekte Freunde, Die Kleine Hexe, Smaragdgrün, Heidi, Point Break, Colonia Dignidad and many more)
The dependability and versatility of the WCU4 allows me to achieve everything that has been asked of me no matter what project I have been involved in.
1st AC Philip A.T. Smith (Known for: Dune, Wonder Woman 1984, The King, John Wick: Chaper 3 – Parabellum, Solo: A Star Wars Story, The Great Wall and many more)
The WCU-4 system, with all its wireless possibilities to control the focus, iris, zoom and the camera settings combined in one unit, allows us on set the most of flexibility and is on top also easy to handle. The perfect all-round tool for today’s 1.ACs.
1st AC Oliver Schill (Known for: Haven: Above Sky, Bliss, Hell, Meiberger – Im Kopf des Täters, Jugend ohne Gott, Nackt. Das Netz vergisst nie and many more)
What I like at the WCU-4 most is its large digital display. In combination with lens data it is very easy to follow the signal of a range finder system. And it is very easy to spread the scale of the lens in Situations I have not much dept of field.
1st AC Boris Treffert (Known for: Die Spezialistn – im Namen der Opfer, Jonas Waldek, Keine zweite Chance, Block B – Unter Arrest, DieTrixxer, Headhunter: The Assessment Weekend and many more)
The WCU4 fits easily in your hand and weights barely anything. Its ergonomic design just hasn’t been matched in the newer models of any competing manufacture. It’s also become the standard as newer handsets are always trying to recreate the brilliance of the WCU4’s layout.
1st AC (Focus Puller) Ian Barbella (Known for: Gentefied, Moxie, The Exorcist, Teachers, I Am the Night, Corporate, Wakefied and many more)
The WCU-4 is a compact and very versatile system. I like the fact that all three axis (Focus, Iris and Zoom) can be operated from only one device and that I can occupy each unit individually. The WCU guarantees a fast and precise work on the set.
1st AC Manuel Steer (Known for: Papa auf Wolke 7, Flucht durchs Höllental, Die Rosenheim Cops, Das Ende der Wahrheit, Tatort and many more)
Using a WCU-4 when shooting on an Arri camera always makes a lot of sense for the additional camera control it gives, however even when using other manufacturers cameras it is still my go to choice.
1st AC Matt Choules (Known for: Britannia, Dark Encounter, And We Go Green, The Revenger: An Unromantic Comedy, Berlin Station, Solis and many more)
The WCU-4 is a precise tool for focus pulling, allowing me to easily retain control over the most used settings of the camera. Alongside of that, I find the customizability of its settings to suit my needs and the integration of distance measurements very useful.
1st AC Aurel Wunderer, BVK (Known for: Guns Akimbo, die kleine Hexe, Euphoria, The Putin Interview, Buddenbrooks, Nirgendwo in Afrika, Die Manns – Ein Jahrhundertroman and many more)
ALEXA Remote License for WCU-4
Enables the Wireless Compact Unit WCU-4 to change settings on all ALEXA Plus, ALEXA Studio, ALEXA SXT W, ALEXA LF, ALEXA 65, ALEXA Mini, ALEXA Mini LF and AMIRA (when used with the cforce mini RF/Universal Motor Controller UMC-4) cameras. Available from ARRI License Shop: www.alshop.arri.de
cforce mini RF Basic Set
The cforce mini RF is an intelligent lens motor with integrated white-coded ARRI radio module, eliminating the need for an additional receiver unit mounted on the camera. The cforce mini RF can pair with up to three hand units for split focus, iris and zoom operation and provides full lens data when used with the WCU-4 hand unit.
ENG Motor Controller EMC-1
Motor Controller for use with ENG-type lenses such as Fujinon Cabrio zooms. Controls the integrated focus, iris, and zoom motors of such ENG lenses and provides lens data for display on the WCU-4 hand unit. Works with WCU-4, SXU-1, Master Grips and pan-bar zoom (cmotion).
Single Motor Controller SMC-1
Compact 1-axis wireless motor controller designed for weight and size-critical setups such as Steadicam or camera drones. Drives a single CLM motor and is the perfect counterpart for the SXU-1 single-axis hand unit. Also works with WCU-4, Master Grips and pan-bar zoom (cmotion).
Operator Control Unit OCU-1
The Operator Control Unit OCU-1 is an addition to the WCU-4 lens control system on ALEXA Mini, and enables operators to over-ride and return focus, iris, and zoom controls at the touch of a button. It gives camera operators full control of their lenses when they want it. The OCU-1 will help to save precious time while framing shots, as the camera operator will always have the ability to control the lens, even when motors are attached.