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cmotion Cinefade VariND
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Overview
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Overview
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True Blue ST Theater
Overview
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Professional Lighting Accessories
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Diffusion, Spill Rings, Snoots & Louvers
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Medium Studio - No Automation - DMX Control
Large Studio - Semi-Automated - Redundant IP and DMX Control
Medium Studio - No Automation - Redundant IP and DMX Control
Huge Production Site - Semi-Automated
References
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Telefe
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ALEXA Mini LF SUP
ALEXA LF SUP
ALEXA Mini SUP Overview
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ALEXA SUP 11.1
ALEXA XT SUP 11.1
Software Updates ECS
Overview
Software Update for SXU-1
Software Update for Master Grips
Software Update for EMC-1
Software Update for UMC-4
Software Update for AMC-1
Software Update for CUB-1
Software Update for Wireless Video System
Software Update for SMC-1
Software Update for WCU-4
Software Update for cforce mini
Software Update for cforce mini RF
Software Update for cforce plus
Software Update for OCU-1
Software Update for CUB-2
Software Updates CSS
Overview
Software Update MAXIMA Stabilizer
Software Update TRINITY Rig
Software Update SRH-3
Firmware Updates Lighting
Overview
SkyPanel Firmware 4
L-Series Firmware 2.5
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ARRI Signature Primes SUP
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ALEXA LF FAQ
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Press Releases 2020
Overview
On-Set Facilities and the ARRI System Group collaborate to build virtual production studios
ARRI strengthens lighting division with Ivo Ivanovski as General Manager
ARRI celebrates ten years of the ALEXA digital camera system
New ARRI Stabilized Remote Head SRH-360 and SRH-3 upgrade
ARRI offers ERM-2400 LCS set for extended wireless control
ARRI announces Stellar 2—the intelligent lighting control app with an array of new features
ARRI Academy launches new lighting systems controls video course
Orbiter Research/Roberto Pintore and ARRI agree on permanent coexistence of their Orbiter brands
The full range of ARRI Signature Prime lenses are now available and shipping
Press Releases 2019
Overview
American Society of Cinematographers opens new ASC ARRI Education Center
ARRI ALEXA Mini LF camera ships and inspires cinematographers worldwide
Change in the Management Board of ARRI AG
ARRI introduces Orbiter, the ultra-bright LED point source with a variety of optics
ARRI unveils new External Radio Modules for the Stabilized Remote Head SRH-3, offering a major upgrade in wireless communication
ARRI announces a new member to the Stabilized Remote Head family, the Digital Encoder Head DEH-1
ARRI celebrates the tenth anniversary of the M18 lamphead with a special edition
ARRI announces new features for the lighting control app Stellar
ARRI, this year in cooperation with Volucap, organizes the second International Broadcast Day
ARRI facilitates development of the new bebob 24 Volt Battery Mount
New ALEXA Mini LF expands ARRI’s large-format camera system
Additional member appointed to the Executive Board of the ARRI Group
New location for ARRI Inc. and ARRI Rental in Los Angeles
ARRI announces WVR-1s small video receiver and continued cooperation with Teradek
ARRI mourns the loss of Florian Stahl
Press Releases 2018
Overview
ARRI Inc. Signs Art Adams as Cinema Lens Specialist
ARRI mourns the loss of Thomas Popp
New Leadership Team for ARRI Rental in North America
ARRI Rental launches DNA lens range for ALEXA LF
ARRI and Angelbird introduce CFast™ 2.0 Memory Card
ARRI presents new accessories for ALEXA Mini
Boosting operator control: ARRI’s new Digital Remote Wheels DRW-1
ARRI Operator Control Unit OCU-1 debuts at IBC
ARRI launches Lightweight Matte Box LMB 6x6
Introducing ARRI’s three new Compact Bridge Plates
ARRI introduces Stellar, the new intelligent app for professional lighting control
American Society of Cinematographers Breaks Ground on ARRI Educational Center
TELEFE implements ARRI LED lighting in new studios
New Executive Board member for technology at the ARRI Group
ARRI China collaborates with IMAX China on Wanda Film’s Night
ARRI Makes ARRIRAW Available for AMIRA
Samsung Selects ARRI ALEXA Footage for New Onyx Cinema LED Screens
Announcing the ARRI Approved Certified Pre-Owned Program
SkyPanel Firmware 4 brings powerful new controls to the SkyPanel
New EB MAX Ballasts complete ARRI’s High-Speed Range
New ARRI Pro Camera Accessories
New ARRI Edition Memory Card released
ARRI’s ARRISCAN XT enters race to save historical archive film
ARRI cforce mini RF lens motor debuts at NAB
ARRI Media and TRIXTER agree to collaborate on VFX and animation
ARRI launches large-format camera system
ARRI Rental opens satellite office in Brooklyn, New York
Press Releases 2017
Overview
Jannie van Wyk appointed Managing Director of ARRI Rental UK and Continental Europe
ARRI celebrates opening of ARRI CT France
ARRI Italia increases presence with relocation in Milan
TV Academy Honors ARRI ALEXA Camera System with Engineering Emmy®
ARRI ALEXA Camera System wins Engineering Emmy®
New ARRI Full Spectrum ND External Filter
Introducing the New ARRI Stabilized Remote Head SRH-3
Introducing the New ARRI SkyPanel S360-C
ARRI SkyPanels go wireless with new SkyLink
ARRI expands ECS range with Master Grips Basic Set
ARRI exhibits new products at IBC Show in Amsterdam
Film technology company ARRI celebrates centennial
Sébastien Laffoux and Stephan Ukas-Bradley Promoted to ARRI Inc. VPs
ARRI lays cornerstone at the new company headquarters
New ARRI Lightweight Matte Box LMB 4x5
ARRI at Cannes 2017: Tech-talk and cocktails at the world’s most important film festival
ARRI announces the opening of French subsidiary
Lots of enthusiasm at ARRI over the LOLA
SkyPanel firmware 3.0 brings 10 new features
New ARRI pro camera accessories
New ARRI Look Library
New ARRI high-speed ballast EB max 1.8
New AMIRA multicam looks and features
New ALEXA Mini software and hardware
ARRI to attend NAB Show 2017 in Las Vegas
ALEXA SXT goes wireless
Christian Léonard joins ARRI as Senior Director Business Development
ARRI wins Academy Award® for ALEXA camera system
ARRI at 100: proud of the past and confident in the future
ARRI New Co-Partner of Berlinale Talents
Press Releases 2016
Overview
New offices for ARRI Latin America
ARRI Pro Camera Accessories for the Canon EOS C700
Tom Tykwer's One Fine Day Films wins First Steps Award
New SkyPanel Remote and firmware update
New ARRI Master Grips for ultimate handheld control and comfort
ARRI SkyPanel range grows with the double-length S120-C
ARRI announces completion of ALEXA SXT development
"The Salesman" wins ARRI/OSRAM Award at Munich Film Festival
Film restoration experts attend ARRI Archive Workshop
New ARRI Look Management Garners Industry Support
New ARRI High-Speed Ballast EB 2.5/4 HS AutoScan
LCUBE Signal Converter & Cforce Plus Lens Motor Improve Remote Lens Control & Camera Functionality
ARRI/ZEISS Unveil Two New Master Anamorphic Lenses
ARRI takes over artemis camera stabilization systems and launches production version of Trinity
ARRI SkyPanel Capabilities Expand with Free Firmware
ARRI Pro Camera Accessories Support Sony, Panasonic and Red Gear
ARRI Announces New Features for ALEXA SXT
AMIRA SUP 4.0 Enables S16 Lens Ability and Refines Multicam Functions
New Mechanical Accessories for ALEXA Mini
ARRI Celebrates Another Successful Berlinale
Press Releases 2015
Overview
ARRI Supports International Film Academies Conference
New Tools and Features for the Electronic Control System
New High-Speed Ballasts for High-Speed Filming
New Accessories for the SkyPanel Family of LED Soft Lights
ARRI Rental’s ALEXA 65 Camera System Gains Wide Popularity and New Functionality
ARRI SkyPanels Cast a Spell on Munich’s Königsplatz
New Pro Camera Accessories for Canon C300 / C300 Mk II / C500
Another Vintage Year at Cannes for ARRI
More Than a New Name: ARRI FILM & TV Becomes ARRI Media
New Tools Expand ARRI’s Electronic Control System
ARRI Releases New SkyPanel Family of LED Soft Lights
ARRI Announces a New Super-Wide Anamorphic Zoom
ARRI Adds New Pro Camera Accessories for Studio Matte Boxes
Touch-screen control of ALEXA Mini and AMIRA cameras via new Transvideo StarliteHD5-ARRI monitor
New Master Anamorphic Flare Sets Announced
ARRI Announces New Alexa SXT Cameras
ARRI Announces Compact and Lightweight Alexa Mini
Alexa Sup 11.0 With ProRes 3.2K Now Available
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Camera Systems
Cameras
ALEXA Mini
ALEXA Mini: News & Updates
2020-02-19
DP Giorgi Shvelidze on ARRI’s ALEXA: “Can’t imagine working with any different camera”
2019-05-23
Why DP Federico Annicchiarico relied on ARRI equipment for “Rock ‘n’ Roll Robot”
