Matthew Allard ASC delves deep into the ALEXA Mini LF in the most extensive review yet. He discusses the camera’s features, compares it to ALEXA Mini and ALEXA LF, provides over/under exposure test footage as well as real world example footage from many different lighting situations, interviews a colorist and an ALEXA Mini LF owner and talks about shooting with full frame, Signature Primes, OCU-1 and Master Grips. A long but worthwhile read!

Marc Shipman-Mueller explains in this minute-long video why damage to SDI outputs can occur and what to do to prevent it.

A direct link to a pdf that explains in detail why damage to SDI outputs can occur and what to do to prevent it.

Video interview with Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek about how they used ARRI ALEXA Mini LF, ARRI Signature Prime lenses, and TRINITY stabilization to achieve the real-time camerawork of Sam Mendes’ technically audacious war film “1917.”

The 92nd Academy Awards recognized many outstanding films this year. Oscar® winners including “Parasite,” “1917,” and “Joker” were all captured with ARRI camera systems and serviced by ARRI Rental.

The first customer shipments of ARRI’s new ALEXA Mini LF begins. Pre-production cameras have already been used on high-end productions by cinematographers like Roger Deakins and Greig Fraser.

The Philippine feature film “Isa Pa, with Feelings” was captured by DP Tey Clamor with ARRI’s ALEXA LF, ALEXA Mini LF, and TRINITY. In this interview, she shares her experience of working with ARRI’s large-format camera system for the very first time.