Stabilized Remote Heads SRH-3 and SRH-360

Outstanding stabilization in a compact design

The SRH-3 and SRH-360 are three-axis, fully stabilized remote heads that allow cameras to go where no other heads can with incredible flexibility and ease. Whether it be on a cine set, in a TV studio, or at an event, the SRH-3 and SRH-360, together with digital controllers such as the DRW-1, DEH-1 and Master Grips have the full force of ARRI technology behind them.


Smart and adaptive system
To provide outstanding stabilization, the motors inside the ARRI Stabilized Remote Heads can compensate for external centrifugal force by adding extra motor power. SRH-3 and SRH-360 can also be remote controlled with ARRI's joystick based control board with optional wheels.

High payload, low weight, compact design
The ARRI SRH-3 and SRH-360 are extremely compact and lightweight. However, the low weight does not equate to lower support capabilities: each Stabilized Remote Head is capable of handling payloads in excess of three times their own weight (up to 30 kg / 60 lbs.), which represents the best weight-to-payload ratio available on the market.

Future-proof workflows
The ARRI Stabilized Remote Heads are perfectly compatible with other ARRI products and workflows, but can also be used with a variety of competing brands. ARRI stands behind its products, continually offering years of service and updates to users.

When working with high-end image capturing systems, there is no sense in compromising on a stabilized remote head due to the price tag. The ARRI Stabilized Remote Heads have taken expense into consideration. Despite their premium features, the SRH-3 and SRH-360 are budget-friendly.


The SRH-3 is definitely another step in the right direction – just like the MAXIMA and the TRINTIY, it’s robust and very user friendly. The stabilization is particularly good, and it holds the horizon rock solid. You always have good control of the image, whether you are using the joystick, or the wheels. It’s a premium product.

Cinematographer Eberhard Schedl (Known for: The Mistery of Sintra (Steadycam Operator), Technoboss (Steadycam Operator) and many more)

I simply love the ARRI SRH-3, it’s a must-have. I never thought it would be possible to film on a race track at speeds up and over 120-MPH and hold a perfect stabilized image thorough. With its unsurpassed stabilization system and its superb interface, the SRH-3 has made it possible to withstand unbelievable speed and G-force without a single glitch. It brings creative visions to new levels and has encouraged me to explore unknown territory, allowing me to capture shots with utmost confidence.

Cinematographer Onofrio Nino Pansini (Known for: Black Panther (Camera Operator), Captain Marvel (Camera Operator), Venom (Camera Operator) and many more)

The SRH-3 was absolutely reliable in a very challenging broadcast setup: the images were totally stable and the head was easy to handle.

SRH-3 Operator Jan Karabasz (Known for: Die drei ??? und der seltsame Wecker (camera technician: black cam) and many more)


ARRI's Stabilized Remote Heads takes cameras to places people can’t go. Follow the SRH-3 through our showreel which highlights the heads' superb maneuverability, and see the amazingly stable images that are made possible.