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ARRI equipment and services support Oscar® winners

The 92nd Academy Awards recognized many outstanding films this year. Oscar® winners including “Parasite,” “1917,” and “Joker” were all captured with ARRI camera systems and serviced by ARRI Rental. 

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Orbiter

The new ultra-bright LED point source with a variety of optics.

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Phedon Papamichael ASC and the ALEXA LF bring action to life in “Ford v Ferrari”

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.

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ARRI Broadcast Solutions

ARRI’s expertise in HD and 4K/HDR camera systems, lighting, postproduction, and rental guarantees a deep understanding of the broadcast and media production environment from beginning to end...

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Be part of the- Picture
2020-02-20

Be part of the new ARRI Signature Prime Lens Showreel

 Share with us your breathtaking images captured with ARRI Signature Prime lenses. All formats are welcome - from feature film, commercial, to documentary, regardless if they are low-budget or blockbuster! 

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2020-02-19

DP Giorgi Shvelidze on ARRI’s ALEXA: “Can’t imagine working with any different camera”

Since the beginning of his career, award winning DP Giorgi Shvelidze, from the country of Georgia, has relied on ARRI equipment. In this interview, he talks about his most recent project: an interactive commercial video, shot on ALEXA XT and ALEXA Mini cameras with Master Anamorphic lenses.

Get ready to sync- Picture
2020-02-17

Get ready to sync and share with Stellar 1.7

Live Sync, Export/Import, iCloud Backup and many more features have been improved in the latest version of our intelligent lighting control app. 

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2020-02-12

In memoriam Joseph Vilsmaier

We are deeply moved to learn that our friend Joseph Vilsmaier has passed away. Starting with an apprenticeship in ARRI’s precision mechanics department, he fostered a committed and life-long relationship to our company while making an impact on the entire film industry. Read more...

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2020-02-11

The immersive camera movement of “1917”

Video interview with Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek about how they used ARRI ALEXA Mini LF, ARRI Signature Prime lenses, and TRINITY stabilization to achieve the real-time camerawork of Sam Mendes’ technically audacious war film “1917.”

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2020-02-05

ARRI sponsorship continues to light up La Fémis in Paris

Renewed support from ARRI Lighting helped to realize short films created by third-year students at the renowned film school, La Fémis.

ARRI on the road

20 Feb 2020
01 Mar 2020

Internationale Filmfestspiele Berlin

08 Mar 2020
10 Mar 2020

MIR TECH

13 Mar 2020
14 Mar 2020