Camerimage 2016: Greig Fraser ASC
Cinematographer Greig Fraser ASC sits down with ARRI at Camerimage 2016 and discusses his visual approach to LION, the film for which he won the Golden Frog award in the festival’s main competition.
Trailer for LION, captured with ALEXA
Directed by Garth Davis and captured with ALEXA by cinematographer Greig Fraser ASC, ACS, LION won the Golden Frog Award at Camerimage 2016.
ALEXA: Portrayal of Patagonia
El INVIERNO, from director Emiliano Torres, transported the production team to the far south of Argentina to cover events during the wool-shearing season. It is set at an isolated ranch in the remote southern end of the country. Cinematographer Ramiro Civita filmed this portrayal of Patagonia with the ALEXA EV.
IBC 2016: ALEXA SXT
Product Manager Marc Shipman-Mueller announces the release of the ALEXA SXT cameras and gives details of features and upgrade options.
IBC 2016: HDR
Colorist Florian 'Utsi' Martin explains why ARRI digital cameras offer the best solution for HDR capture and display.
IBC 2016: AMIRA Multicam
Product Manager Markus Dürr gives an overview of the AMIRA Multicam Mode, which makes ARRI image quality available to live broadcast productions.
Anthony Dod Mantle ASC, BSC, DFF discusses working with ARRI cameras on Oliver Stone’s Thriller SNOWDEN
"I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Die AMIRA bei Netflix' „The Ivory Game”
Bei der Netflix-Dokumentation „The Ivory Game” über illegalen Elfenbeinhandel war eine ARRI AMIRA als Hauptkamera im Einsatz.
Die poetischen Bilder bei „Moonlight“ entstanden mit einer ARRI ALEXA Plus
„Moonlight“ von Regisseur Barry Jenkins gilt als einer der besten Filme des Jahres. Director of Photography James Laxton spricht über die Dreharbeiten mit der ARRI ALEXA Plus.