Using the Tilting Feature of the Studio Matte Box SMB-2 The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms. Watch how the SMB-2's tilting feature, allows the user to eliminate "ghosting" or flare reflections.
Venice 2016: interview with Davide Manca Cinematographer Davide Manca discusses how he used the ALEXA XT and ARRI lights to pursue a soft, colorful look and fluid, handheld camerawork on director Roan Johnson’s film PIUMA (FEATHER). Photos by Stefano Montesi.
Venice 2016: interview with Vincent Biron Vincent Biron, director and cinematographer of PRANK, speaks with ARRI about working with the AMIRA camera for its ergonomic design and suitability for a fast, flexible and responsive shooting style.
Venice 2016: interview with Manuel Alberto Claro DFF Cinematographer Manuel Alberto Claro DFF shares his experiences shooting Amat Escalante’s film THE UNTAMED with the director’s own ALEXA Mini, a camera Claro quickly took a shine to.
Impressions of ARRI at the Deauville American Film Festival 2016 from September 2 to 11, 2016
ARRI TRINITY demo for director Ang Lee Curt Schaller, Product Manager for ARRI Camera Stabilizer Systems, gives a demonstration of the TRINITY rig for Academy Award-winning director Ang Lee, who was visiting the ARRI booth at IBC 2016.
IBC 2016: A view from the board Dr. Jörg Pohlman of the ARRI AG Executive Board talks through the company's presence at the 2016 IBC show.
IBC 2016: The future of image capture ARRI AG Executive Board member Franz Kraus talks through ARRI’s presence at the 2016 IBC show in Amsterdam, covering topical issues such as HDR and higher frame rates.
IBC 2016: The success of ARRI LED lights General Manager of the Business Unit Lighting, Markus Zeiler, discusses the success of the growing family of SkyPanel LED soft lights.