65 mm reborn. The largest cinema sensor in the world, only from ARRI Rental.
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The family got bigger. And smaller.
Go anywhere, shoot anything.
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Soft Lighting | Redefined
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State-of-the-art, long-life electronic ballasts for optimum image quality
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Tungsten, Daylight and LED kits fully equipped with all vital accessories backed in robust and reliable cases.
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ARRI interviews five cinematographers in Cannes who all had films in competition that were shot with ALEXA cameras, including Roger Deakins ASC, BSC, CBE.
Colorist Paul Sage of Light Iron talks about his role shaping final looks on various ALEXA projects.
DP Bill Holshevnikoff put LED technology to use on the feature AMERICA IS STILL THE PLACE with ARRI L-Series and LoCasters – all captured on an ALEXA camera.
Indian DP Manush Nandan works with ALEXA XT and Master Primes on the action-heist comedy HAPPY NEW YEAR, one of the biggest Bollywood films of all time.
IMAX has announced via VARIETY that it has entered into an agreement with ARRI to customize the ALEXA 65 system for use on IMAX productions.
ALEXA Mini's maiden test shoot was the MINDCASTLE short film THE BALLOONIST, during which it captured a hot air balloon flight from gimbal and multi-rotor rigs.