65 mm reborn. The largest cinema sensor in the world, only from ARRI Rental.
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The best just got better.
The family got bigger. And smaller.
Go anywhere, shoot anything.
The largest matched range of modern cine primes and zooms, as well as top quality filters.
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For most professional cameras on the market.
Creativity in motion.
The most complete camera systems ever built.
Soft Lighting | Redefined
Cut. Shape. Focus. Tune.
More light, less work
State-of-the-art, long-life electronic ballasts for optimum image quality
High performance and quality LED luminaires
Fresnel and open-face fixtures ranging from 125 to 18,000 W
Classic Fresnel fixtures ranging from 150 to 24,000 W
Tungsten, Daylight and LED kits fully equipped with all vital accessories backed in robust and reliable cases.
Professional Lighting Accessories - cables, grip, stands and much more
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ARRI Rental - We've got you covered.
The best support your vision can get.
Fully digital 3D surgical microscope.
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A new era in surgical imaging.
For the third year running ARRI supports Taiwan's prestigious Taipei Golden Horse Film Festival, where many entries were shot with ARRI digital or film cameras.
Fukunaga worked with a cast of young non-actors for an intense story about child soldiers in Africa. Production captured on ALEXA XTs with Panavision lenses.
Karl Walter Lindenlaub ASC, BVK describes working with the ALEXA Mini on one of its first American movies, Barry Sonnenfeld's feline comedy NINE LIVES.
Morano discusses directing, DPing and operating handheld ALEXA with Master Anamorphics on the indie feature.
Celebrated Chinese DP Xiaofei Song discusses working with ARRI cameras and lenses on films such as the current box office smash-hit LOST IN HONG KONG.
DP Ottar Gudnason uses ALEXA XT cameras, Master Anamorphic lenses, ECS tools and M-Series lights from ARRI Rental, as well as post services from ARRI Media.
Dial “K” for Kill captured with the ALEXA LF and ARRI Signature Primes.
Watch the video.
Please install SUP 4.3.23 to all ARRI Wireless Video System devices