65 mm reborn. The largest cinema sensor in the world, only from ARRI Rental.
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The family got bigger. And smaller.
Go anywhere, shoot anything.
The largest matched range of modern cine primes and zooms, as well as top quality filters.
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For most professional cameras on the market.
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The most complete camera systems ever built.
Soft Lighting | Redefined
Cut. Shape. Focus. Tune.
More light, less work
State-of-the-art, long-life electronic ballasts for optimum image quality
High performance and quality LED luminaires
Fresnel and open-face fixtures ranging from 125 to 18,000 W
Classic Fresnel fixtures ranging from 150 to 24,000 W
Tungsten, Daylight and LED kits fully equipped with all vital accessories backed in robust and reliable cases.
Professional Lighting Accessories - cables, grip, stands and much more
Turnkey solutions for TV studios worldwide
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Fully digital 3D surgical microscope.
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DP Vladan Radovic AIC gives his account of working with ALEXA cameras and SkyPanel LED lights on director Paolo Virzì's new film LIKE CRAZY (LA PAZZA GIOIA).
Director Maren Ade's critic award-winning film was shot with ARRI ALEXA cameras, while postproduction services were provided by ARRI Media.
From the unsurpassed dynamic range of its cameras to its cutting-edge Dolby Vision grading cinema, ARRI leads the field with HDR technology.
Software Update Package 4.0 brings new features including internal ARRIRAW recording and 4:3 modes for anamorphic productions.
SXT, or Super Xtended Technology, is the new high-performance platform for the ALEXA family of cameras, with improved image quality and new recording options.
Indian cinematographer Sudeep Chatterjee shares his thoughts on using ALEXA XT and Master Primes on director Sanjay Leela Bhansali's hit film, BAJIRAO MASTANI.
Please install SUP 4.3.23 to all ARRI Wireless Video System devices