Sala de Vídeos

Bem-vindo ao arquivo de Vídeos da ARRI, a biblioteca dos bate-papos técnicos, apresentações, vídeos demo, clipes e trailers de produções feitas com equipamento ARRI. Filtre por categoria ou pesquise por palavra-chave para encontrar vídeos sobre produtos específicos, filmmakers ou eventos.

 

Anthony Dod Mantle ASC, BSC, DFF discusses working with ARRI cameras on Oliver Stone’s Thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
AMIRA on Netflix’s THE IVORY GAME For THE IVORY GAME, the new Netflix documentary feature film about elephant poaching, an ARRI AMIRA was used as the main camera.
ALEXA com anamórfico cria um look poético Capturado com ALEXA em anamórfico pelo diretor de fotografia James Laxton, MOONLIGHT foi dirigido por Barry Jenkins, e é um dos filmes mais aclamados pela crítica deste ano.
Anthony Dod Mantle ASC, BSC, DFF discusses MultiFormat on Oliver Stone’s thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
A GAROTA NO TREM (THE GIRL ON THE TRAIN) Trailer de, A GAROTA NO TREM, dirigido por Tate Taylor e fotografado por Charlotte Bruus Christensen com ARRICAM e Master Primes.  
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ARRI ALEXA Mini on Oliver Stone’s thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with ALEXA 65 lenses and different locations "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ALEXA 65 system "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
SMB-2 Triple Filter Tray The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. Watch the video and see how the triple filter tray allows for the removal of unwanted "ghosting" or filter reflections.
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