NAB 2014: Introducing the L5 LED Fresnel
ARRI's Lighting Product Manager Michael Wagner, gives us an overview on the newest addition to the LSeries family - the L5 LED Fresnel. The L5 is approximately 45% brighter than a 300 watt tungsten Fresnel, but only consumes 115 watts.
The story behind THE GRAND BUDAPEST HOTEL
Go behind the scenes with the cast and crew of Wes Anderson's adventure comedy THE GRAND BUDAPEST HOTEL and learn about the rich story behind one of the most anticipated films of the year.
THE GRAND BUDAPEST HOTEL trailer
THE GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. Directed by Wes Anderson, it was shot with ARRICAM cameras and ARRI M-Series lights by cinematographer Robert Yeoman, ASC.
THE WOLF OF WALL STREET trailer
Shot on ARRICAMS and ALEXA by Rodrigo Prieto ASC, AMC THE WOLF OF WALL STREET tells the surreal life of stockbroker Jordan Belfort.
For HER, gaffer Cory Geryak utilized the ARRI L7 LED Fresnels to light the romantic drama set in the future. Captured on ALEXA by Hoyte Van Hoytema.
Bill Holshevnikoff on the ARRI True Blue D5 and D12
Filmmaker Bill Holshevnikoff takes a look at the ARRI True Blue D5 & D12
ARRI True Blue (1/9): Getting Started
This video introduces the newest features of the ARRI True Blue studio and tungsten lights, along with the benefits of using these powerful units. Here, we learn how to prepare the fixture for use right out of the box.
ARRI True Blue (2/9): Configuring the Stirrup
Once you have the True Blue out of the box, you can adjust the center of gravity of the fixture by configuring the stirrup.
ARRI True Blue (3/9): Attaching the Mount
Whether you need to hang the fixture or place it upright on a lighting stand, you'll need the attach appropriate mounting hardware to the stirrup.