Clip from AMERICAN HONEY, captured with ALEXA
Andrea Arnold's AMERICAN HONEY won the Prix du Jury at Cannes 2016. For this social realist road movie about wild young misfits travelling across the United States selling magazines, DP Robbie Ryan BSC worked with ALEXA cameras, often shooting at real locations in very low light conditions.
THE COLD FRONT: first Russian Master Anamorphic feature film
THE COLD FRONT is the first Russian feature film to be made with ARRI/ZEISS Master Anamorphic lenses. Directed by Roman Volobuev, it was shot by cinematographer Michael Khasaya, who combined the Master Anamorphics with ALEXA XT and recorded in ARRIRAW for maximum image quality.
SkyPanel Firmware 2.0 y EB 2.5/4 HS AutoScan (Español)
Resumen de nueva tecnología de ARRI luces - LED y HMI.
Resumen de Camera y Lintes (Español)
Resumen de camera y lintes por Esteban Umana de ARRI.
ALEXA Mini Pro Camera Accessories
ARRI's Jean Fre Fachon explains the ARRI Broadcast Plate for ALEXA Mini, an adjustable base plate designed for documentary-style filming.
Pro Camera Accessories for Sony, Panasonic + Red
ARRI's Pro Camera Accessories (PCA) bring the high quality design and durability that ARRI is known for to cameras from other manufacturers. ARRI is pleased to announce new accessories are available for RED DSMC2, Sony α7S/R II and Panasonic VariCam LT.
Trinity System + Maxima Gimbal
ARRI acquired the artemis range of camera stabilizers from Sachtler/the Vitec Group and demonstrated the improved version of the ground-breaking Trinity system along with the Maxima gimbal.
ARRI AMIRA SUP 4.0
Following customer feedback worldwide ARRI is introducing a ProRes S16 HD recording mode for Super 16, in addition to refinements for the powerful Multicam features with AMIRA Software Update Package (SUP) 4.0.
New Features for ALEXA SXT
ARRI's Marc Shipman-Mueller gives us the latest for the ALEXA SXT, previously unannounced recording formats and more flexibility for on-set monitoring.