A MOST VIOLENT YEAR trailer
J.C. Chandor's A MOST VIOLENT YEAR is a thriller set in New York in the winter of 1981, when crime in the city was rife. Cinematographer Bradford Young used ALEXA XT Studio, XT Plus and XT M cameras with ARRI/ZEISS Master Anamorphic lenses, as well as M18, M40 and M90 HMI lights from the ARRI M-Series.
UNBROKEN, shot with ALEXA and Master Primes
Directed by Angelina Jolie, UNBROKEN tells the remarkable true story of Louis Zamperini, an American runner who competed at the 1936 Berlin Olympics before fighting in World War II. Cinematographer Roger Deakins, CBE, ASC, BSC, worked with the latest generation of ALEXA XT cameras on the film, combining them with ARRI/ZEISS Master Prime lenses.
SOAK Studios AMIRA test (graded for color and black and white)
See SOAK's AMIRA footage, now graded for color and black & white.
SOAK Studios AMIRA test (ungraded)
Matt Marek and Jamie Tiernay put their AMIRA to the test with no lights, no tripod and no supports to see what kind of images the camera would deliver.
Coca-Cola "Make Someone Happy" Commercial
“Make Someone Happy" Coca-Cola's Christmas campaign, directed by Max Blanco and shot by DP Mischa Lluch with ARRI / ZEISS Master Anamorphics on ALEXA XTs from ARRI Rental in New Jersey.
The Bronze Frog at Camerimage 2014 went to DP André Turpin for his work on Canadian director Xavier Dolan's MOMMY, which was shot with ARRICAM cameras and Master Prime lenses, and earlier in 2014 was awarded a Jury Prize in the main competition at Cannes.
Cinematographer Ehab Assal took the Silver Frog at Camerimage 2014 for OMAR, directed by Hany Abu-Assad and captured with ALEXA, as well as ARRI/ZEISS Ultra Prime lenses.
LEVIATHAN, from director Andrey Zvyagintsev, is a gripping parable of class, faith and corruption in modern Russia. It was shot with ARRICAM cameras and ARRI/ZEISS Master Prime lenses by DP Mikhail Krichman, RCG, who won the Golden Frog at Camerimage 2014 for his efforts.
ARRI Meta Extract tutorial
In this tutorial Alexander Keerl explains the general workflow of the ARRI Meta Extract and demonstrates how to extract a certain set of metadata information from clips of the ALEXA and AMIRA cameras.