Lavazza commercial uses Ultra Wide Zoom
Cinematographer Thomas Hardmeier, AFC used the ARRI Ultra Wide Zoom UWZ 9.5-19/T2.9 for VFX shots in a Lavazza commercial directed by Jean-Pierre Jeunet. With exceptionally low distortion and pin-sharp resolution from the center to the corners of the image, the UWZ is ideal for VFX applications.
FORT BLISS trailer
FORT BLISS was captured on ALEXA in ProRes.
SIRENS OF CRYSTAL RIVER
For SIRENS OF CRYSTAL RIVER, Dimitrius took the ARRI AMIRA underwater to film wild manatees in Florida.
Capturing #GIRLSINTECH with AMIRA
Cover Girl, “Girls Who Code” commercial was directed by Lesley Chilcott and shot by Maryse Alberti on AMIRA.
AMERICA IS STILL THE PLACE trailer
DP Bill Holshevnikoff put LED technology to use on the feature AMERICA IS STILL THE PLACE with ARRI L-Series and LoCasters – all captured on an ALEXA camera.
ARRI Ultra Wide Zoom, Asian Showreel
Dramatic footage shot in Shanghai shows off the super wide-angle perspective, lack of distortion and corner-to-corner optical performance of the ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9.
Trailer for HAPPY NEW YEAR, captured with ALEXA XT
Official trailer for HAPPY NEW YEAR, one of the highest-grossing Bollywood films of all time. The colorful action-heist comedy was directed by Farah Khan and shot by cinematographer Manush Nandan with ALEXA XT cameras and Master Prime lenses.
Director/DP Adi Geisegger uses the ALEXA Mini camera, ARRI/ZEISS Ultra Prime lenses and ARRI Pro Camera Accessories to shoot his short film THE FOCUS.
THE FOCUS behind the scenes
Director/DP Adi Geisegger takes advantage of the compact size, light weight and high speed abilities of ALEXA Mini, combining the camera with a range of different specialized rigs including a handheld gimbal and a radio-controlled vehicle.