WHITE BIRD IN A BLIZZARD trailer Captured on ALEXA, WHITE BIRD IN A BLIZZARD follows 17 year old Kat Connors (played by Shailene Woodley) as she deals with the sudden disappearance of her mother.
Watch: As You Were Captured on ALEXA, AS YOU WERE follows a young soldier who returns home with new robotic prosthetics to replace his arm and leg lost in battle.
GUARDIANS OF THE GALAXY trailer GUARDIANS OF THE GALAXY relays the adventures of a disparate group of intergalactic misfits, on the run from space cowboys and blue-skinned aliens. Directed and co-written by James Gunn, the film was shot with ALEXA XT cameras by British cinematographer Ben Davis, BSC.
AMIRA Color Tool: 02 – What's new in version 1.0 In this screencast Alexander Keerl covers the changes and new features of version "1.0 release" of the AMIRA Color Tool: Medadata display, Different ways to save a look, Undo/redo, Preferences dialog.
Close-Up on AMIRA - Part 1 Boasting the same image quality as ALEXA but with easy in-camera audio, pre-set looks and frame rates up to 200 fps, AMIRA is being embraced by a wide range of film and program makers. This presentation provides details of the camera’s first major software update and the temporary licenses becoming available at the online ARRI License Shop.
Close-Up on AMIRA - Part 2 Boasting the same image quality as ALEXA but with easy in-camera audio, pre-set looks and frame rates up to 200 fps, AMIRA is being embraced by a wide range of film and program makers. This presentation provides details of the camera’s first major software update and the temporary licenses becoming available at the online ARRI License Shop.
Close-Up on AMIRA - Part 3 Boasting the same image quality as ALEXA but with easy in-camera audio, pre-set looks and frame rates up to 200 fps, AMIRA is being embraced by a wide range of film and program makers. This presentation provides details of the camera’s first major software update and the temporary licenses becoming available at the online ARRI License Shop.
ARRI’s Electronic Control System Hendrik Voss, Product Manager for ARRI’s Electronic Control System (ECS), gives a hands-on look at new system tools such as the UMC-4, SMC-1 and EMC-1 motor controllers.
SMB-1: the tilting matte box Philip Vischer, Product Manager for ARRI's Pro Camera Accessories, explains the benefits of the new ARRI Studio Matte Box SMB-1. These include an integrated tilt module to counteract image artifacts linked to filter reflections, stackable filter stages and a mechanical upgrade for anamorphic shooting.
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