Product Designer Michael Jonas about ALEXA Mini
Newsshooter.com editor Dan Chung speaks to Michael Jonas of ARRI about the new ALEXA MINI at the BVE show in London.
Shot by Simon Glass and edited by Elliot Smith.
Trailer for MARY KOM, captured with ALEXA
MARY KOM is an Indian biopic about the internationally famous female boxer of that name. Directed by Omung Kumar and produced by Sanjay Leela Bhansali, it was captured with ALEXA in ARRIRAW by Japanese DP Keiko Nakahara, who also worked with Master Prime lenses.
A GIRL WALKS HOME ALONE AT NIGHT trailer
Captured on an ALEXA STUDIO, A GIRL WALKS HOME ALONE AT NIGHT is billed as an Iranian Vampire Western. Lyle Vincent’s black and white anamorphic cinematography transports viewers into this otherworldly realm from writer/director Ana Lily Amirpour.
ARRI Big Screen Experience 2014 intro
ARRI’s Marc Shipman-Mueller introduces the ARRI Big Screen Experience at Camerimage 2014, which provided an overview of the amazing variety of production types, distribution formats and deliverables that can be accommodated when shooting with ARRI cameras and lenses.
Interview with Phedon Papamichael, ASC
Phedon Papamichael, ASC speaks with ARRI’s Marc Shipman-Mueller during the ARRI Big Screen Experience at Camerimage 2014, discussing some of the projects he has shot in ARRIRAW with ALEXA cameras.
Johann Perry and Neil Harvey interview
During the ARRI Big Screen Experience at Camerimage 2014, documentary filmmakers Johann Perry and Neil Harvey share their experiences of working with the AMIRA camera on a wide range of productions.
Stijn Van der Veken, ASC, SBC interview
Belgian cinematographer Stijn Van der Veken, ASC, SBC talks with ARRI’s Marc Shipman-Mueller during the ARRI Big Screen Experience at Camerimage 2014, giving his view of what it’s like to work with the ARRI/ZEISS Master Anamorphic lenses.
Behind the scenes of HOLLYWOOD COSTUME with Lighting Designer Trevor Burk
ARRI is proud to support the Academy of Motion Picture Arts and Sciences' groundbreaking multimedia exhibition HOLLYWOOD COSTUME in Los Angeles with over 25 L-Series LED Fresnels. Watch the video for a look at HOLLYWOOD COSTUME and listen to Burk explain how it was lit with the ARRI L-Series.
A MOST VIOLENT YEAR trailer
J.C. Chandor's A MOST VIOLENT YEAR is a thriller set in New York in the winter of 1981, when crime in the city was rife. Cinematographer Bradford Young used ALEXA XT Studio, XT Plus and XT M cameras with ARRI/ZEISS Master Anamorphic lenses, as well as M18, M40 and M90 HMI lights from the ARRI M-Series.