NEW PRODUCTS

ARRIFLEX D-21
The Film Style Digital Camera

Based on extensive feedback collected over the last three years, we have undertaken a major upgrade of our film style digital camera.

ARRIFLEX 416 Plus HS

On the heels of the very successful launch of the ARRIFLEX 416 Plus in 2006, we are now introducing the ARRIFLEX 416 Plus High Speed, offering higher frame rates for slow-motion shots.

New Long ULTRA 16 Lenses

In addition to the existing 6, 8, 9.5, 12 and 14 mm lenses, cinematographers can now also use 18, 25, 35 and
50 mm Ultra 16 lenses.

Professional Camera Accessories

ARRI Quality for Film and Digital Applications.

Wireless Remote Control 2

Sporting an easy-to-use touchscreen user interface, the recently developed WRC-2 extends and simplifies wireless camera control options.

Master Primes

14 Lenses for all Shooting Situations.
Focal Lenght Range from14 mm up to 150 mm.


ARRILASER
HighSpeed Package II

The Next Generation of the ARRILASER.

ARRISCAN

New Updates and Add-Ons like the new 16 & 35mm Wet Gate, Digital Dailies Base Package and many more.

ARRICUBE

ARRI Offers X-Rite Hubble to ARRICUBE Customers for Precise Display and DCI Projection Measurement

ARRI True Blue

ARRI Lighting Introduces the New
True Blue Location & Studio Fresnels


ARRI Lighting Kits

Over 30 Lighting Kit Combinations

MaxMover

A new ARRI automated stirrup, MaxMover, offers remote pan, tilt and focus for large lighting fixtures.

ARRINEWS CAMERA PRODUCTS CATALOG 4K+ SYSTEMS:
Theory Basis for Motion Picture Imaging
arrinews

ARRINEWS 04/2008
PDF file size 13.5 mb


ARRI Camera Products Catalog
PDF file size 2.5 mb


4K+ Systems - Technology Brochure
PDF file size 4.6 mb


VIDEO CLIPS
D-21 Interview

ARRIFLEX D-21 Presented by Marc Shipman-Mueller at NAB 2008

Arri’s Marc Shipman-Mueller discusses the ARRIFLEX D21 Digital Cinema Camera System.

ARRI Professional Camera Accessories Interview

ARRI Accessories Presented by Eric Johnston at NAB 2008

Arri’s Eric Johnston presents new Arri Matte Boxes and Follow Focus systems designed to bring filmstyle accessories to Digital Cinema Cameras.

235

235 Adventures 1.0

A breathtaking showcase for the 235 was shot by extreme cinematographer
Greg Gasson while rock climbing, water skiing, scuba diving and skydiving.

true blue

ARRI True Blue

ARRI Lighting Introduces the New
True Blue Location & Studio Fresnels


 

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