ARRI Specials 

Circle of Love
 
Introduction Making Of Equipment The Film Results
About On Location Cameras Storyboard Analysis
Partners View MPEG Prod. Chains View MPEG Survey
Contacts     Credits Comparison
         
Basic Camera Equipment Setup:
 
 
35mm equipment
1x ARRICAM LT
1x ARRIFLEX 535
Ultra Prime Lenses
Zeiss Distagon Lenses
Zeiss Planar Lenses
Angenieux Zoom Lenses
 
  
HD video equipment
Sony 24p HDW F-900
Fujinon Cinestyle Lenses
Sony 9" HD Monitor HDSDI + analog
HD Waveform Monitor



Sony HDW F-900 settings
Standard 0db gain
Detail correction off
overall Gamma 0.40
White clip 105%
Production Chains:
 
ARRICAM LT, ARRIFLEX 535
Shooting Format Super 35 (full aperture, framing 1:1.85), Kodak 5248 (100T)
Avid offline editing
Negative cut
Colour timing
Print from original 35 mm negativ (step-print) to 1:1.85 on Kodak Vision
 


Sony HDW-F900
Shooting Format Sony HDCAM (framing 1:1.85)
Avid offline editing
Inferno online editing
Pogle colour grading
Transfer to HD_D5
Transfer to Intermediate Negative Kodak 5242 with ARRILASER,
recording format 1:1.85
Print from Intermediate Negative on Kodak Vision

 

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