ARRI X Ceramic 250

ARRI Lighting introduces the new ARRI X Ceramic 250.

Based on the new Ceramic ST 250 HR lamp from Philips which provides 3200K Tungsten equivalent light from a discharge lamp the new ARRI X Ceramic 250 is the perfect fixture for smooth and cool background and fill lighting.

The new lamp from Philips provides almost the same light output as a 1kW Halogen lamp, but with a quarter of the power consumption. Due to the lower power consumption (250W) the fixture is much cooler than a comparable Halogen fixture and it’s much easier to work with where power is limited, for example when using a small generator.

In principle the fixture is based on the Daylight ARRI X 5 but the ballast for the Ceramic lamp is incorporated in the housing of the lamp head itself, so that it is a “Plug-In-The-Wall” fixture.


Apart from all the technical and economical benefits the fixture also gives a nice quality of light. Very sharp shadows can be created using the black reflector in combination with the clear glass and the light field is more even than with a filament source.

Typical for the optical design of the ARRI X is the wide spread, so that the fixtures, both Daylight and Tungsten (Ceramic) are good for situations where the application requires maximum light with a minimum of space.

 

 

 

 

 

 

 

No. 12 - Nov 30, 2004


ibc/cinec Roundup
A short overview of what was exciting at the ibc and
cine trade shows.


Double Cinec Awards
The ARRIFLEX 235 and the ARRISCAN received the cinec award.


ARRICAM SOC Cammy Award.
The ARRICAM system will received the SOC Cammy award in Los Angeles.


Daviau' Digital Doubts
Allen Daviau makes the case for shooting film at ibc.


Weta Digital Purchases
an ARRISCAN
One of the first ARRISCAN s sold goes to New Zealand to Weta Digital.


ARRIFLEX 235 Accessories

An brief look at the many ARRI and third party accessories for the 235.


First 235 Shows in New York.
The 235 appears inside a washing machine and in New York traffic for its first assignments.


Jonny Zero: Shooting Super 16 for TV.
The producer of a new television show talks about the advantages of shooting Super 16 for TV.


ARRI X Ceramic 250


ARRI EB 575/1200 A.L.F.


ARRI EB 200 EVENT NINE