ARRI - Newsletter, November 2005

ARRI Newsletter 18, 09/2006

Dear Customers,

Welcome to the latest installment of the ARRI E-mail Newsletter! As always, there are new, interesting projects using our equipment as the tools filmmakers trust to carry out their visions. In this installment, we have a report on the first 416 productions and interviews with a number of cinematographers who have had the opportunity to get their hands on the first ARRIFLEX 416 pre-production cameras in Europe and the US. Three time Oscar nominee Michael Ballhaus, ASC and Oscar winner Vilmos Zsigmond, ASC also share some thoughts on their newest films, respectively The Departed and The Black Dahlia.

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1. First 416 Productions
Since spring, sixteen 416 pre-production cameras have been put into the market. The large number of pre-production units allows the cameras to be used by cinematographers and in turn, ARRI receives their valuable feedback. Here is a look at what filmmakers have been saying about the 416.
http://www.arri.de/news/newsletter/articles/0906/416_productions.html

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2. Interview: Michael Ballhaus, ASC on The Departed
The Departed is based on a Chinese film called Mou gaan dou (Infernal Affairs). The film follows a policeman who goes undercover in the Mafia and stars Leonardo DiCaprio,  Matt Damon and Jack Nicholson.
http://www.arri.de/news/newsletter/articles/0906/ballhaus.html

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3. Izod Shines “In the Sun” with HomeNYC
SoHo-based design and production studio HomeNYC has once again teamed up with Izod with a new spot for theaters entitled “In the Sun.” Directed by Ben Orisich and shot by Director of Photography Pete “The Treat” Konczal , “In the Sun” was a 30-second spot shot on the ARRIFLEX 235 and 435 in Exuma, Bahamas.
http://www.arri.de/news/newsletter/articles/0906/izod_shines.html

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4. ARRISCANs Arrive at EFILM and Goldcrest Post NY
Two postproduction facilties have recently adopted the ARRISCAN film scanner into their respective workflows: Goldcrest Post in New York and EFILM in Hollywood.
http://www.arri.de/news/newsletter/articles/0906/arriscans.html

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5. ARRI Offers Video Accessories
Although many are familiar with ARRI’s reputation as a manufacturer of the highest quality film cameras  in the world,  many are unaware of ARRI’s full line of video accessories.
http://www.arri.de/news/newsletter/articles/0906/video_acc.html

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6. 3 Perforations Pay for DI on Black Dahlia
A gruesome murder in the Hollywood of 1947 with bizarre details that has remained a mystery until this day - what better story could there be for the next Brian De Palma thriller, especially since this one is based on a true story. The tragic death of Elisabeth Short, who was also known as the Black Dahlia, was photographed on film in the early summer of 2005 by Vilmos Zsigmond, ASC starring Scarlett Johansson and Hilary Swank.
http://www.arri.de/news/newsletter/articles/0906/3perforation.html

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If you have any feedback, questions or suggestions contact:

An Tran
ARRI Newsletter Editor
Phone: + 1 818.288.0786
mailto: atran@arri.com

The ARRI Group
Headquarters Munich: Tuerkenstrasse 89,
D-80799 Muenchen, Germany.
Phone +49 (0)89 3809-0 

Newsletter 18 - 09/2006


ARRI AROUND THE WEB
A selection of links around the Internet featuring ARRI.

1. A Nymph in Our Midst
Christopher Doyle, HKSC joins M. Night Shyamalan for the fairytale drama Lady in the Water.
Goto article. Launch link

2. A Look at the ARRI D-20 from CineGear Expo 2006
Debra Kaufman takes you on a close-up tour of the ARRI D-20 digital cinema camera from the ground of CineGear Expo 2006 and also talks of the impact the new agreement between ARRI and the rental house Clairmont Camera.
Goto article. Launch link

3. Robert Koehler Review of Cinematographer Style for Daily Variety
One hundred and ten world-class cinematographers' thoughts on their widely discussed but little understood art-plus-craft are packed into 86 minutes in "Cinematographer Style." For a film about cinema's visual aspects, docu is strikingly contained to talking-heads shots -- often closely held -- of the lensers, who rep the cream of the English-language film world.
Goto article. Launch link