ARRI - Newsletter, November 2005

The Company Employs ARRIFLEX D-20


 Michael Keaton plays James Angleton in
The Company.
©photo: Jan Thijs

The Company is an original six-hour mini-series premiering August 2007. The Company was shot by Ben Nott with the ARRIFLEX D-20 and ARRI Master Prime lenses. Chris O'Donnell, Alfred Molina and Michael Keaton star in this series based on the New York Times bestseller by Robert Littell. The story traces the activities of the CIA over a 40-year period, from the beginning of the Cold War through the demise of the Soviet Union.

The plot follows the fates of agents imprisoned in double lives, fighting an elusive, formidable enemy while also engaging in an internecine battle within the CIA itself. As agents delve deeper and deeper into the game of espionage, some can keep their hearts and heads cold and removed. But one man is forever changed by the cost in human lives and his own inability to resist the deadliest of dangers: falling in love with an enemy.

The Company is being directed by Mikael Salomon (Band of Brothers, TNT's Salem's Lot) from a script by Ken Nolan (Black Hawk Down). It comes to TNT from Sony Pictures Television, with Ridley Scott (Gladiator), Tony Scott (The Gathering Storm), John Calley (The Da Vinci Code), David Zucker (Numb3rs) and David A. Rosemont (Into the West) serving as executive producers.

 

 

 

On the Set of The Company: Michael Zimbrich (1st AD), Ben Nott (Cinematographer), Michael Carella
(A-camera Operator) and Mikael Salomon (Director). ©photo: Jan Thijs

 

Ridley Scott (Producer) and David Zucker
(Co-executive Producer). ©photo: Jan Thijs

 

Newsletter 20 - 04/2007


ARRI AROUND THE WEB
A selection of links around the Internet featuring ARRI.

1. Samy's HD Expo & HD Seminar, April 28 in Los Angeles
ARRI’s John Gresch will instruct a workshop on HD Lighting with the latest compact power efficient lighting kits.
Goto article. Launch link

2. Giving 300 Movie a Comic-Book Grandeur
Reporter Sheigh Crabtree writes about the fast-paced cinematic painting of 300, a $60-million live-action adaptation of Frank Miller and Lynn Varley's 1999 graphic novel. In a dazzling battle sequence, DP Larry Fong used a camera technique known as a "lens morph" or a "nested zoom" with three ARRIFLEX cameras.           
Goto article. Launch link

3. What To Look for on the Show Floor
Playback approached three regular attendees to see what they are most looking forward to from this year's exhibitors. Cinematographer and president of Vancouver post houses, James Tocher is curious about ARRI’s offerings.
Goto article. Launch link

4. Friday Night Lights
Friday Night Lights is a TV series based on the successful 2004 feature film of the same name shot with ARRI SR cameras. When discussing the right visual aesthetic for the series, DP David Boyd, writer/producer Peter Berg and their collaborators envisioned a documentary realism.
Goto article. Launch link