[ALEXA's] image details came through at both extremes: no crushed blacks, no clipped whites.

Director Gregory Horoupian

Writer/director Gregory Horoupian discusses his cinematic influences and the experience of shooting the short film BAYONET.



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More Quotes

Shots done with the ALEXA M on a Steadicam felt even more free and fluid than I had expected.

Director Jia Zhangke

Now in the digital age we have 4:3 sensors and new anamorphic lenses that are competing with Super 35 again.

DP Yu Lik-wai

We were recording the 14 stops of range that the ALEXA claims. If we needed to access that amount of information down the road, for visual effects and in the DI, then we could.

John Toll, ASC

The dynamic range of the ALEXA is absolutely amazing and for low light conditions I wouldn't choose any other camera.

Andrew Sinagra Creative Director/Director, Ntropic

The lens metadata embedded in the [ALEXA] image file, frame by frame, along with the camera metadata, greatly facilitates the creation of the CGI automobile

Bill Bennett, ASC

The extended latitude the camera offers ensured that the shadows still maintained a beautiful gradation of subtle details.

Gabriel Beristain, ASC, BSC on ALEXA

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ARGO 'Based on a True Story' featurette

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