ARRI Lighting Solutions

Under commission from the Kazakhstan government and in partnership with the Istanbul-based system-integrator Akfa Technology, ARRI Lighting Solutions has designed and equipped the new Astana Media Center (AMC), a state-of-the-art, 75,500m² media complex in Astana, Kazakhstan's capital. As a result, the AMC has become one of the most advanced production facilities in the region, offering sophisticated studios and lighting tools, and enabling high-quality content creation for national and syndicated distribution.

We knew we could rely on ARRI quality.

Vladislav Bogusevich, Technical Director of the AMC, notes, "Just two years ago I prepared my first technical proposal for this project; I wanted a central building where all national television and radio channels could collaborate. Actual construction began in January 2011 and I can hardly believe what ARRI has achieved in such a short time. We now have the highest standards of technology and bring EuroAsia, Kazakhstan TV, Khabar Agency and MIR - the local subsidiary of Moscow-based CIS - all under one roof."

When looking for a technology provider, the AMC knew it needed a company that could deliver to an extremely tight deadline without any compromise in quality. These priorities naturally led the Kazakh client to ARRI's Lighting Solutions team, which had both local and global experience in such projects, including an earlier installation in Astana for Khabar-TV, one of the largest networks in the country, as well as countless successful installations throughout Europe, Russia, the Near and Middle East, Africa and Asia.

Adnan Sen, Project Manager at Akfa Technology, comments, "This was a very big project, one of the biggest in Akfa's history. To have finished everything in six months is a huge success story; we had as many as 150 engineers and workers on the project at various points. We worked with ARRI because it's a well-known company and we had used ARRI products before. We knew we could rely on ARRI quality and secondly we knew that there was probably nobody else who could work within this short time schedule."

The job involved equipping 14 modern 1080p HD studios, comprising four 900m² production studios; two 450m² production studios; four 350m² news studios; two 200m² daylight studios on the top floor of the media tower (the Sky Studios); and two smaller visual effects studios. ARRI also put together a special lighting package for AMC's location productions, made up of ARRI True Blue daylight, LED Caster and ARRILITE Plus fixtures.

A total of over 1,500 ARRI lights, 200 hoists, 400 pantographs and an electrical infrastructure of 2,500 dimmer channels with a total capacity of 7.5 MW now illuminate the AMC. Working closely with Akfa, ARRI Lighting Solutions also supervised the installation, which was carried out by local and Turkish engineers. The two Sky Studios were among the first studios anywhere in the world to be equipped with ARRI's groundbreaking new L-7 LED Fresnels. These versatile, efficient lampheads will bring huge energy savings and reflect the AMC's commitment to embrace the latest technological advances.

The Sky Studios were also the first to install ARRI's new self-climbing Flydeck, an innovative suspension system for heavy loads. The Flydeck incorporates an on-board motor for vertical adjustment and tracks horizontally along l-beams, presenting a complete, movable solution that is easy to install. The lightweight system is made entirely of aluminum and comes supplied with flip-flop cable management and numerous pre-wired connector strips. ARRI engineers had to design additional suspension solutions for the various production studios, which were equipped with special truss circles, truss bars and trackable hoists that make operating the lighting equipment as flexible as possible.

The Astana Media Center is an imposing complex with a monumental tower that stands 24 floors above the central axis of the city. Adorning the façade are giant screens that will display live broadcasts from the TV channels housed inside. In total, the complex has a capacity for 20 TV channels, 50 video edit suites, 10 radio stations and 35 audio production suites. Construction of the AMC cost some 425 million dollars, of which half was spent on state-of-the-art technology; it will go live and begin broadcasting in May 2012.