Ultra Wide Zoom flying high

Cinematographer Bill Bennett, ASC, captures stunning aerial images of Los Angeles with the ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9.

Restoring HIROSHIMA MON AMOUR

Davide Pozzi of the Italian restoration lab L'Immagine Ritrovata discusses how ARRISCAN archive technology helped preserve a masterpiece of the French New Wave.

L5 LED Fresnel unveiled

ARRI introduces the newest member of the L-Series, the compact and lightweight L5, which joins the popular L7 LED Fresnels already available.

AMIRA takes the heat in Rio de Janeiro

Filmmaker Jens Hoffmann tests AMIRA on the streets of Rio's infamous City of God for MATA MATA, his unique feature-length documentary about Brazilian soccer.

M-Series a big hit in China

Gaffer Sun Weifeng discusses the advantages of ARRI's M-Series lampheads, having recently invested in hundreds of them for the rental house he owns in China.

ARRI lights at THE GRAND BUDAPEST HOTEL

Gaffer Helmut Prein works with the M-Series and other ARRI lights on Wes Anderson's latest film, which opened the 64th Berlin International Film Festival.

ALEXA software tools roundup

A number of software tools, available free of charge on the ARRI website, help ensure the smooth processing of ALEXA footage in postproduction.

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ALEXA Classic Upgrade: XT Fan

A basic explanation of the XT Fan that is available as an upgrade for all ALEXA Classic cameras and how to distinguish it from the ALEXA Classic fan.