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AMIRAIBC 2013ANALOG CAMERASDIGITAL CAMERASALEXAPRO CAMERA ACCESSORIESCINE LENSESLIGHTINGLIGHTING SOLUTIONSARCHIVE TECHNOLOGY
19 DEC 13
Cinematographer Tom Faehrmann gives his assessment of the new ARRI UWZ 9.5-18/T2.9 super wide-angle zoom, after taking it out for a test shoot around Munich.
17 DEC 13
Stereographer Demetri Portelli and 3D engineer Ben Gervais on the first 3D film to use the ALEXA M, and to record ARRIRAW: THE YOUNG AND PRODIGIOUS T.S. SPIVET.
16 DEC 13
Directors Danielle Krieger and Casey Warren on bringing the inspiring short film to life.
13 DEC 13
ARRI, together with its Eastern European partners, hosts a series of lighting workshops presented by the DP, lighting designer and educator, Bill Holshevnikoff.
10 DEC 13
Thomas Hardmeier, AFC, shoots director Jean-Pierre Jeunet's latest film -- an IMAX 3D cinema release -- in native 3D with ALEXA M cameras and Master Prime lenses.
05 DEC 13
DP Burak Kanbir discusses his use of ALEXA on MUHTEŞEM YÜZYIL (MAGNIFICENT CENTURY), a historical soap opera about Suleiman, the 16th century Ottoman Sultan.
02 DEC 13
DP Brian Strange and colorist Mazin Power utilize a highly efficient ALEXA workflow on a music video starring former ABBA band-member Agnetha Faltskog.
A basic explanation of the XT Fan that is available as an upgrade for all ALEXA Classic cameras and how to distinguish it from the ALEXA Classic fan.