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AMIRAIBC 2013ANALOG CAMERASDIGITAL CAMERASALEXAPRO CAMERA ACCESSORIESCINE LENSESLIGHTINGLIGHTING SOLUTIONSARCHIVE TECHNOLOGYTECH TALKS - ALEXA Software Tools
10 MAR 14
Cinematographer Sheng Lu shoots the visually stunning film I SEE with the ARRI/ZEISS Master Anamorphic 50 mm MA50 lens in Baotou, China.
03 MAR 14
ARRI film and digital cameras dominated as the capture tools of the Oscar winners at the 86th Annual Academy Awards.
26 FEB 14
ARRI hosted an event during the 2014 Berlinale with Phedon Papamichael, ASC, who recently shot the films NEBRASKA and THE MONUMENTS MEN in ARRIRAW with ALEXA.
In February 2014 ARRI proudly shipped the 1000th ARRIMAX 18 kW HMI lamphead to be manufactured at its lighting production facility in Stephanskirchen, Germany.
25 FEB 14
Jon Fauer, ASC, of Film and Digital Times, interviews ARRI's Marc Shipman-Mueller and Henning Rädlein about the benefits of ALEXA Software Update Packet 9.0.
17 FEB 14
Phedon Papamichael, ASC, discusses combining ALEXA and ARRICAM cameras, as well as anamorphic lenses and Master Primes, on George Clooney's WWII drama.
07 FEB 14
DP Frankie DeMarco shoots ARRIRAW with ALEXA and uses M18 ARRI M-Series lampheads on J.C. Chandor's ALL IS LOST, starring Robert Redford.
A basic explanation of the XT Fan that is available as an upgrade for all ALEXA Classic cameras and how to distinguish it from the ALEXA Classic fan.