ALEXAARCHIVE TechnologyLIGHTINGDI SYSTEMSLENSESPRO CAMERA ACCESSORIESDIGITAL CAMERASANALOG CAMERASLIGHTING SOLUTIONSAWARDSCORPORATENAB 2012IBC 2012COST EFFICIENCYNAB 2013
24 MAY 13
Indian DP Manoj Lobo shoots the successful Hindi-language romantic comedy NAUTANKI SAALA! with ALEXA, ARRIRAW and ARRI/ZEISS Ultra Prime lenses.
17 MAY 13
Director Jia Zhangke and DP Yu Lik-wai discuss using ALEXA and an ARRI/ZEISS Master Anamorphic lens on A TOUCH OF SIN, which is in competition at Cannes 2013.
11 MAY 13
The Oscar Award-winning DP talks about capturing on the ALEXA Studio in ARRIRAW for the blockbuster hit IRON MAN 3. This was Toll’s first digital feature.
03 MAY 13
Director Andrew Sinagra and DP Bill Bennett, ASC, seamlessly insert a CG car into live-action footage, utilizing metadata from the ALEXA Plus in post.
26 APR 13
DP Gabriel Beristain, ASC, BSC details his work in the period TV drama set in late 1950s Miami Beach.
19 APR 13
Roberto Schaefer, ASC, AIC, shoots his first feature with the ARRI ALEXA, a science fiction film from director Andrew Niccol.
12 APR 13
The National Film Board of Canada (NFB) helps ARRI perfect on-the-fly image stabilization as an option for the ARRISCAN 16 mm Archive Gate.
Based on real events, ARGO chronicles the life-or-death covert operation to rescue six Americans during the Iran hostage crisis, focusing on the little-known role played by the CIA and Hollywood.