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IBC 2014NAB 2014AMIRAIBC 2013ANALOG CAMERASDIGITAL CAMERASALEXAPRO CAMERA ACCESSORIESPRO CAMERA ACCESSORIES (Mechanical)PRO CAMERA ACCESSORIES (Electronical)CINE LENSESLIGHTINGLIGHTING SOLUTIONSARCHIVE TECHNOLOGYTECH TALKS - ALEXA Software Tools
16 SEP 14
Matthew J. Lloyd, CSC, relies on ARRI M-Series and X Light fixtures while shooting the opening episodes of hit U.S. TV series FARGO.
15 SEP 14
The new Lens Data Encoder LDE-1 and a software update for the Wireless Compact Unit WCU-4 expand lens data options with ARRI's Electronic Control System.
12 SEP 14
ARRI/ZEISS Master Anamorphic lenses and an ALEXA camera help lend a cinematic feel to a series of Ford TV commercials shot in and around Los Angeles.
German TV news provider Tagesschau implements cost savings and gains full color controllability by outfitting its new €23.8m studio with ARRI L7-C LED Fresnels.
11 SEP 14
The first major software update for AMIRA, SUP 1.1, brings promised features and refinements that respond to feedback from AMIRA shooters all over the world.
DP Bojan Bazelli, ASC, and 1st AC John Holmes test the new ARRI Studio Matte Box SMB-1 prior to taking it out on a feature film.
ALEXA's software updates reach double figures -- like its nine predecessors, SUP 10.0 provides exciting new features and refinements based on customer feedback.
A basic explanation of the XT Fan that is available as an upgrade for all ALEXA Classic cameras and how to distinguish it from the ALEXA Classic fan.