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NAB 2014AMIRAIBC 2013ANALOG CAMERASDIGITAL CAMERASALEXAPRO CAMERA ACCESSORIESPRO CAMERA ACCESSORIES (Mechanical)PRO CAMERA ACCESSORIES (Electronical)CINE LENSESLIGHTINGLIGHTING SOLUTIONSARCHIVE TECHNOLOGYTECH TALKS - ALEXA Software Tools
17 APR 14
The Silversun Pickups’ latest music video “Cannibal” drops the viewer right into an intense situation -- captured on ALEXA with Master Anarmophic lenses.
10 APR 14
Cinematographer Bill Bennett, ASC, captures stunning aerial images of Los Angeles with the ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9.
08 APR 14
Davide Pozzi of the Italian restoration lab L'Immagine Ritrovata discusses how ARRISCAN archive technology helped preserve a masterpiece of the French New Wave.
ARRI introduces the newest member of the L-Series, the compact and lightweight L5, which joins the popular L7 LED Fresnels already available.
07 APR 14
Filmmaker Jens Hoffmann tests AMIRA on the streets of Rio's infamous City of God for MATA MATA, his unique feature-length documentary about Brazilian soccer.
03 APR 14
Gaffer Sun Weifeng discusses the advantages of ARRI's M-Series lampheads, having recently invested in hundreds of them for the rental house he owns in China.
Gaffer Helmut Prein works with the M-Series and other ARRI lights on Wes Anderson's latest film, which opened the 64th Berlin International Film Festival.
A basic explanation of the XT Fan that is available as an upgrade for all ALEXA Classic cameras and how to distinguish it from the ALEXA Classic fan.