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Gaffer Helmut Prein works with the M-Series and other ARRI lights on Wes Anderson's latest film, which opened the 64th Berlin International Film Festival.
Rodrigo Prieto ASC, AMC crafts a wild ride in WOLF OF WALL STREET with 35 mm and ALEXA ARRIRAW for Martin Scorsese's latest drama.
In February 2014 ARRI proudly shipped the 1000th ARRIMAX 18 kW HMI lamphead to be manufactured at its lighting production facility in Stephanskirchen, Germany.
DP Frankie DeMarco shoots ARRIRAW with ALEXA and uses M18 ARRI M-Series lampheads on J.C. Chandor's ALL IS LOST, starring Robert Redford.
The ARRI Italy team recently completed another successful lighting installation, equipping the TCI television studio in Milan with ARRI L7-C L-Series Fresnels.
For HER, gaffer Cory Geryak utilized the ARRI L7 LED Fresnels to light the romantic drama set in the future.
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