Video Room

Willkommen im Videoarchiv von ARRI! Hier finden Sie eine ganze Bibliothek aus Technikbeiträgen, Präsentationen, Demovideos, Clips und Trailern von Produktionen, die mit ARRI Equipment entstanden sind. Durchsuchen Sie die Themen Ihrer Wahl, sortiert nach Kategorie oder Schlagwort, für Videos über spezielle Produkte, Filmschaffende oder Events.

 

LMB-6 Anamorphic and Spherical Mattes Succeeding the classic LMB-4A, the LMB-6 offers all the innovations of the successful LMB-25 to larger-sized filters, up to 6.6" x 6.6". We offer anamorphic or spherical mattes for the LMB-6 to eliminate flares.
Eyepiece Leveler EL-3 The Viewfinder Extension Bracket and Eyepiece Leveler EL-3 allow the operator to position the viewfinder farther back along the body of the camera for a more convenient position to operate from.
Using the Tilting Feature of the Studio Matte Box SMB-2 The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms. Watch how the SMB-2's tilting feature, allows the user to eliminate "ghosting" or flare reflections.
Venice 2016: interview with Davide Manca Cinematographer Davide Manca discusses how he used the ALEXA XT and ARRI lights to pursue a soft, colorful look and fluid, handheld camerawork on director Roan Johnson’s film PIUMA (FEATHER). Photos by Stefano Montesi.
Venice 2016: interview with Vincent Biron Vincent Biron, director and cinematographer of PRANK, speaks with ARRI about working with the AMIRA camera for its ergonomic design and suitability for a fast, flexible and responsive shooting style. 
Venice 2016: interview with Manuel Alberto Claro DFF Cinematographer Manuel Alberto Claro DFF shares his experiences shooting Amat Escalante’s film THE UNTAMED with the director’s own ALEXA Mini, a camera Claro quickly took a shine to.
Eindrücke von ARRI auf dem Deauville American Film Festival 2016 vom 2. bis 11. September 2016
IBC-Video: Ang Lee sieht ARRI-TRINITY Curt O. Schaller, Produktmanager Camera Stabilizer Systems bei ARRI, demonstriert vor Regisseur Ang Lee das neue ARRI-TRINITY.
IBC 2016: Zukunftssicher Wie ARRI-Vorstand Dr. Jörg Pohlman auf sich ständig verändernde Marktbedingungen reagiert.
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