Video Room

Willkommen im Videoarchiv von ARRI! Hier finden Sie eine ganze Bibliothek aus Technikbeiträgen, Präsentationen, Demovideos, Clips und Trailern von Produktionen, die mit ARRI Equipment entstanden sind. Durchsuchen Sie die Themen Ihrer Wahl, sortiert nach Kategorie oder Schlagwort, für Videos über spezielle Produkte, Filmschaffende oder Events.

 

Anthony Dod Mantle ASC, BSC, DFF discusses working with ARRI cameras on Oliver Stone’s Thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Die AMIRA bei Netflix' „The Ivory Game” Bei der Netflix-Dokumentation „The Ivory Game” über illegalen Elfenbeinhandel war eine ARRI AMIRA als Hauptkamera im Einsatz.
Die poetischen Bilder bei „Moonlight“ entstanden mit einer ARRI ALEXA Plus „Moonlight“ von Regisseur Barry Jenkins gilt als einer der besten Filme des Jahres. Director of Photography James Laxton spricht über die Dreharbeiten mit der ARRI ALEXA Plus.
Anthony Dod Mantle ASC, BSC, DFF discusses MultiFormat on Oliver Stone’s thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
THE GIRL ON THE TRAIN Trailer for THE GIRL ON THE TRAIN, directed by Tate Taylor and shot by Charlotte Bruus Christensen on ARRICAM with Master Primes.  
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ARRI ALEXA Mini on Oliver Stone’s thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with ALEXA 65 lenses and different locations "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ALEXA 65 system "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
SMB-2 Triple Filter Tray The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. Watch the video and see how the triple filter tray allows for the removal of unwanted "ghosting" or filter reflections.
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