ARRISCAN archive solutions and Wet Gate drying system
Used by leading film archives and collections all over the world, the ARRISCAN archive tools are presented by Sibylle Maier. Sibylle also unveils the new secondary drying system for the ARRISCAN, which significantly increases the speed of Wet Gate scans.
ARRI Professional Camera Accessories at IBC 2011
Philip Vischer presents the latest from ARRI's PCA range, including a new option for the MMB-2 Mini Matte Box; the MFF-2 Mini Follow Focus; a new shoulder support, the SP-1; and various new MBP adapter plates.
ARRI M40/25 and MAX Technology at IBC 2011
The latest fixture in ARRI's M-Series is presented by Stefan Schmidt. The M40/25 incorporates ARRI's unique and patented MAX Technology, which combines the advantages of a PAR and a Fresnel, and eliminates the need for spread lenses.
ARRI L-Series at IBC 2011
Ryan Fletcher presents the ARRI L-Series, a new generation of LED fixtures that is about to make a dramatic impact on the film and television lighting industries with its performance, versatility and cost efficiency.
New MP 135 Gallery
As part of the Master Prime 135 development project, we have provided a prototype of the lens with a PL-modified Canon 1D Mark IV to a number of prominent cinematographers and photographers to see what they would make of it. Not only were they very excited about the lens, but they created some stunning images.
Trailer restoration of MANIA
Starring the legendary Polish silent screen actress Pola Negri, MANIA is a 1918 German-produced film that has recently been restored using ARRISCAN archive tools as part of the Polish National Film Archive's Nitrofilm project.
Digitization of MANIA
Specialists at Filmoteka Narodowa - the Polish National Film Archive - use the ARRISCAN Wet Gate to clean and digitize a rare and delicate print of the 1918 silent film MANIA.
KILLER JOE trailer
Director William Friedkin's latest film is a small-town thriller about a contract killing that goes awry. Cinematographer Caleb Deschanel, ASC, chose to work with the ARRI ALEXA camera and ARRI/FUJINON Alura Zooms.
Directed by Nicolas Winding Refn and shot with ALEXA cameras by Newton Thomas Sigel, ASC, DRIVE is the story of a Hollywood stunt driver who offers out his skills to criminal gangs, only to find himself the intended target of a contract killing after a failed heist.