Best for HDR since 2010
With unsurpassed dynamic range and natural, accurate colour rendition, ARRI cameras have offered the best solution for HDR capture and display since the launch of ALEXA in 2010.
I AM NOT MADAME BOVARY, captured with ALEXA
Cinematographer Luo Pan worked with ALEXA XT cameras and M-Series lights on this award-winning film from veteran Chinese director Feng Xiaogang.
Camerimage 2016: Simon Duggan ACS
Cinematographer Simon Duggan ACS speaks to ARRI at Camerimage 2016 about why he chose ALEXA for the Mel Gibson WWII drama HACKSAW RIDGE, and how he developed different looks for the peacetime and battle scenes.
Camerimage 2016: Mattias Rudh FSF
Working entirely with the ALEXA Mini, cinematographer Mattias Rudh FSF created an eerie, deep-focus look for the Jamie XX music video GOSH, directed by Romain Gavras. He discussed his visual approach with ARRI at Camerimage 2016.
Camerimage 2016: David Procter
London-based DP David Procter discusses shooting with ALEXA Mini on the music video for the DJ Shadow track NOBODY SPEAK, featuring Run the Jewels.
Camerimage 2016: Greig Fraser ASC
Cinematographer Greig Fraser ASC sits down with ARRI at Camerimage 2016 and discusses his visual approach to LION, the film for which he won the Golden Frog award in the festival’s main competition.
Trailer for LION, captured with ALEXA
Directed by Garth Davis and captured with ALEXA by cinematographer Greig Fraser ASC, ACS, LION won the Golden Frog Award at Camerimage 2016.
ALEXA: Portrayal of Patagonia
El INVIERNO, from director Emiliano Torres, transported the production team to the far south of Argentina to cover events during the wool-shearing season. It is set at an isolated ranch in the remote southern end of the country. Cinematographer Ramiro Civita filmed this portrayal of Patagonia with the ALEXA EV.
IBC 2016: ALEXA SXT
Product Manager Marc Shipman-Mueller announces the release of the ALEXA SXT cameras and gives details of features and upgrade options.