Video Room

Willkommen im Videoarchiv von ARRI! Hier finden Sie eine ganze Bibliothek aus Technikbeiträgen, Präsentationen, Demovideos, Clips und Trailern von Produktionen, die mit ARRI Equipment entstanden sind. Durchsuchen Sie die Themen Ihrer Wahl, sortiert nach Kategorie oder Schlagwort, für Videos über spezielle Produkte, Filmschaffende oder Events.

 

Camerimage 2015: Eduard Grau AEC At the 23rd Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, ARRI speaks with DP Edu Grau, who combined ARRIFLEX 416 and ALEXA cameras on Sarah Gavron’s SUFFRAGETTE, nominated in the main competition.
Camerimage 2015: Sturla Brandth Grøvlen DFF At the 23rd Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, ARRI speaks with Sturla Brandth Grøvlen, DP of Grímur Hákonarson’s RAMS, which won the Silver Frog award.
Camerimage 2015: Mátyás Erdély HSC At the 23rd Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, ARRI speaks with DP Mátyás Erdély HSC, who combined ARRICAM and ARRIFLEX 235 cameras with Master Prime lenses on László Nemes’ SON OF SAUL, which was awarded the Bronze Frog prize.
BEASTS OF NO NATION trailer BEASTS OF NO NATION, shot and directed by Cary Fukunaga was captured on ALEXA XT with Panavision lenses.
TechTalk - Installing the Master Anamorphic Flare Set Installing the ARRI/ZEISS Master Anamorphic Flare Sets.
MEADOWLAND trailer MEADOWLAND, shot and directed by Reed Morano ASC was captured on ALEXA with ARRI/ZEISS Master Anamorphic lenses from ARRI Rental NY.
Master Anamorphics at Le Mans Cinematographer Maher Maleh worked with ARRI/ZEISS Master Anamorphic lenses, an ALEXA camera and M-Series lights for a 3-minute image film about Toyota's presence at the famous Le Mans motor race.
Trailer for LOST IN HONG KONG, captured with ALEXA and Master Anamorphics The phenomenally successful Chinese film LOST IN HONG KONG broke the domestic 2D box office record within 10 days of its release. Directed by Zheng Xu, it was shot by cinematographer Xiaofei Song, who chose to use ARRI ALEXA cameras and Master Anamorphic lenses.
IBC 2015: ARRI ALEXA SXT ALEXA product manager Marc Shipman-Mueller explains what can be expected from the next generation of ALEXA cameras.
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