Video Room

Willkommen im Videoarchiv von ARRI! Hier finden Sie eine ganze Bibliothek aus Technikbeiträgen, Präsentationen, Demovideos, Clips und Trailern von Produktionen, die mit ARRI Equipment entstanden sind. Durchsuchen Sie die Themen Ihrer Wahl, sortiert nach Kategorie oder Schlagwort, für Videos über spezielle Produkte, Filmschaffende oder Events.


Pedro Sotero and Fabricio Tadeu at Cannes 2016 Cinematographers Pedro Sotero and Fabricio Tadeu speak with ARRI at the 69th Cannes Film Festival about their work on Kleber Mendonça Filho’s film AQUARIUS, which they shot with ALEXA XT cameras. Photos courtesy of Victor Juca / Cinemascopi / SBS Productions.
Trailer for LIKE CRAZY, shot with ALEXA and SkyPanel Director Paolo Virzì's comedy drama film LIKE CRAZY (LA PAZZA GIOIA) tells the story of two women who abscond from a mental health clinic in Tuscany, setting out on a road trip together. Cinematographer Vladan Radovic AIC worked with ALEXA cameras and SkyPanel LED soft lights. 
Trailer for TONI ERDMANN, postproduced at ARRI Media Director Maren Ade's father-daughter drama TONI ERDMANN was shot with ALEXA cameras from ARRI Rental by DP Patrick Orth. ARRI Media in Berlin provided postproduction services including online, grading, VFX and DCP creation.
Trailer for IT'S ONLY THE END OF THE WORLD, shot with ARRICAM Director Xavier Dolan collected the Grand Prix at Cannes 2016 for IT'S ONLY THE END OF THE WORLD (JUSTE LA FIN DU MONDE), a Canadian-French drama about a young man breaking the news of his terminal illness to his family. The film was shot by André Turpin CSC with ARRICAM cameras and ARRI/ZEISS Master Prime lenses.
Clip from AMERICAN HONEY, captured with ALEXA Andrea Arnold's AMERICAN HONEY won the Prix du Jury at Cannes 2016. For this social realist road movie about wild young misfits travelling across the United States selling magazines, DP Robbie Ryan BSC worked with ALEXA cameras, often shooting at real locations in very low light conditions.
THE COLD FRONT: first Russian Master Anamorphic feature film THE COLD FRONT is the first Russian feature film to be made with ARRI/ZEISS Master Anamorphic lenses. Directed by Roman Volobuev, it was shot by cinematographer Michael Khasaya, who combined the Master Anamorphics with ALEXA XT and recorded in ARRIRAW for maximum image quality.
SkyPanel Firmware 2.0 y EB 2.5/4 HS AutoScan (Español) Resumen de nueva tecnología de ARRI luces - LED y HMI.
Resumen de Camera y Lintes (Español) Resumen de camera y lintes por Esteban Umana de ARRI.
ALEXA Mini Pro Camera Accessories ARRI's Jean Fre Fachon explains the ARRI Broadcast Plate for ALEXA Mini, an adjustable base plate designed for documentary-style filming.