New Master Anamorphics: 28 + 180 mm
ARRI introduces two new focal lengths to the ARRI/ZEISS Master Anamorphic series, the 28 mm and 180 mm, extending the range at both the wide-angle and telephoto ends.
ARRI LCUBE + Cforce Plus Lens Motor
ARRI's Hendrik Voss details the LCUBE CUB-1, a miniature signal converter and the cforce plus. Productions are no longer restricted to lightweight configurations with the ALEXA Mini, but can also build the camera up into a studio configuration with a bigger prime or zoom lens.
SkyPanel FW 2.0's 10 powerful features
ARRI's Mike Wagner discusses SkyPanel Firmware 2.0 which brings 10 new features and several refinements. This update is free of charge and can be installed on a SkyPanel quickly and easily, opening up new applications and providing an added level of control.
Take a tour of the features and benefits of ARRI’s new generation of high-speed ballasts, ensuring optimum light and image quality up to 1,000 fps and beyond.
The Looks of ALEXA
Lenses are not the only way to create specific looks. ALEXA is capable of producing an amazing variety of different looks for different stories and situations, with creative on-set color control and incredible flexibility in post.
ALEXA IBC 2016 Showreel
ALEXA continues to be the most widely used and accepted professional digital camera system in the world. Every day it is relied upon by thousands of international film and program makers.
ALEXA Mini NAB 2016 Showreel
A glimpse of the wide range of shooting situations made possible by the compact, lightweight and versatile ALEXA Mini.
AMIRA IBC 2016 Showreel
With optimized ergonomics for the single operator and the same image quality as ALEXA, the AMIRA is well suited to a diverse range of different production types.
ARRI Ultra Wide Zoom at the Ribbon Chapel in Japan
Matthew Allard ACS uses the ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 on an architectural shoot at the Ribbon Chapel in Hiroshima, Japan.