SRH-3: Compact, lightweight and sturdy
The Stabilized Remote Head SRH-3 takes cameras to places people can't go. Follow it through our showreel which highlights the head's superb maneuverability, and see the amazingly stable images the SRH-3 makes possible.
ARRI Camera Showreel Fall 2018
Fifty five cinematographers from around the world contributed to this showreel, which takes us from Hollywood blockbusters like ANT MAN, to the wildlife documentary GHOSTS OF THE ARCTIC. With some stunning material from commercials and art pieces, it's ARRI's tribute to the work of some of the industry's finest practitioners.
IBC 2017: ARRI Pro Camera Accessories
ARRI´s Product Manager Philip Vischer gives an overview of PCA Mechanical Accessories and their main features as well as LMB 4x5 updates.
ALEXA LF and Signature Primes on Opia
When the ALEXA LF and Signature Primes were launched in Australia, ARRI entrusted the new camera and lenses to cinematographer Kieran Fowler NZSC, ACS and director Nik Kacevski. They took the ALEXA LF out into the dark heart of Sydney to tell an unsettling story that takes us from dusk to dawn.
ARRI CAMERA SHOWREEL 2018
Shooting wide open with ARRI Signature Prime lenses for shallow focus and gorgeous bokeh, cinematographer Matias Boucard works purely with natural light and available sources. Capturing human friendships on location in Thailand, this clip beautifully showcases the detail, dynamic range and sensitivity of ALEXA LF.
Star Wars: Die letzten Jedi
Werfen Sie einen Blick hinter die Kulissen von „Star Wars: Die letzten Jedi“. Regie führte Rian Johnson, Kameramann war Steve Yedlin (ASC). Für die Beleuchtung kamen ARRI SkyPanels zum Einsatz.
IBC 2017: Introduction of the EB MAX 1.8
Head of Product Management Florian Bloch explains the advantages of ARRI’s EB MAX 1.8, the new flagship for the range of high-speed electronic ballasts. Find out more: www.arri.com/goto/highspeed_ballast
IBC 2017: New camera setup with the ARRI Standard Grip
Hendrik Voss, Product Manager PCA Electronic System, presents a camera setup with the new ARRI Standard Grip.