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ALEXA LF and Signature Primes on Opia When the ALEXA LF and Signature Primes were launched in Australia, ARRI entrusted the new camera and lenses to cinematographer Kieran Fowler NZSC, ACS and director Nik Kacevski. They took the ALEXA LF out into the dark heart of Sydney to tell an unsettling story that takes us from dusk to dawn.
ARRI CAMERA SHOWREEL 2018
Soulful connections Shooting wide open with ARRI Signature Prime lenses for shallow focus and gorgeous bokeh, cinematographer Matias Boucard works purely with natural light and available sources. Capturing human friendships on location in Thailand, this clip beautifully showcases the detail, dynamic range and sensitivity of ALEXA LF.
Star Wars: The Last Jedi Behind The Scenes Go behind the scenes of STAR WARS: THE LAST JEDI, directed by Rian Johnson and shot by Steve Yedlin ASC. Illuminated with ARRI SkyPanels.
ARRI Studio Matte Box SMB-1 A studio matte box for filter sizes up to 6.6" x 6.6", the SMB-1 is designed to be used with bigger wide-angle prime lenses and also with zooms. 
IBC 2017: New camera setup with the ARRI Standard Grip Hendrik Voss, Product Manager PCA Electronic System, presents a camera setup with the new ARRI Standard Grip.
IBC 2017: The latest news on ARRISCAN XT Sales Manager Archive Technologies Thilo Gottschling introduces the latest news on ARRISCAN XT.
IBC 2017: ARRI ALEXA Mini with SUP 5.0 Michael Jonas, Product Manager Camera Systems, introduces the main features of the latest Software Update Package SUP 5.0 for ALEXA Mini.
IBC 2017: ARRI AMIRA with SUP 5.0 Markus Dürr, Product Manager Camera Systems, introduces the main features of the latest Software Update Package SUP 5.0 for AMIRA.
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