SMB-1 Adapter for SMB-2 Filter Stages The SMB-1 is a large studio matte box for filter sizes up to 6.6" x 6.6". ARRI offers a step down filter tray for the use of 4 x 5.65" filters with the SMB-1.
LMB-25 Anamorphic and Spherical Mattes Check out the anamorphic and spherical mattes for the LMB-25, a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15.
LMB-6 Anamorphic and Spherical Mattes Succeeding the classic LMB-4A, the LMB-6 offers all the innovations of the successful LMB-25 to larger-sized filters, up to 6.6" x 6.6". We offer anamorphic or spherical mattes for the LMB-6 to eliminate flares.
Eyepiece Leveler EL-3 The Viewfinder Extension Bracket and Eyepiece Leveler EL-3 allow the operator to position the viewfinder farther back along the body of the camera for a more convenient position to operate from.
Using the Tilting Feature of the Studio Matte Box SMB-2 The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms. Watch how the SMB-2's tilting feature, allows the user to eliminate "ghosting" or flare reflections.
Venice 2016: interview with Davide Manca Cinematographer Davide Manca discusses how he used the ALEXA XT and ARRI lights to pursue a soft, colorful look and fluid, handheld camerawork on director Roan Johnson’s film PIUMA (FEATHER). Photos by Stefano Montesi.
Venice 2016: interview with Vincent Biron Vincent Biron, director and cinematographer of PRANK, speaks with ARRI about working with the AMIRA camera for its ergonomic design and suitability for a fast, flexible and responsive shooting style.
Venice 2016: interview with Manuel Alberto Claro DFF Cinematographer Manuel Alberto Claro DFF shares his experiences shooting Amat Escalante’s film THE UNTAMED with the director’s own ALEXA Mini, a camera Claro quickly took a shine to.
Impressions of ARRI at the Deauville American Film Festival 2016 from September 2 to 11, 2016