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ARRI L-Series at IBC 2011 Ryan Fletcher presents the ARRI L-Series, a new generation of LED fixtures that is about to make a dramatic impact on the film and television lighting industries with its performance, versatility and cost efficiency.
New MP 135 Gallery As part of the Master Prime 135 development project, we have provided a prototype of the lens with a PL-modified Canon 1D Mark IV to a number of prominent cinematographers and photographers to see what they would make of it. Not only were they very excited about the lens, but they created some stunning images.
Trailer restoration of MANIA Starring the legendary Polish silent screen actress Pola Negri, MANIA is a 1918 German-produced film that has recently been restored using ARRISCAN archive tools as part of the Polish National Film Archive's Nitrofilm project.
修复版《疯狂》的预告片 由波兰传奇的默片演员波拉·尼格丽主演,《疯狂》是一部1918年在德国制作的电影。该片最近在波兰国家电影资料馆的“硝基电影”计划中,正在使用ARRISCAN存档工具进行修复。
Digitization of MANIA Specialists at Filmoteka Narodowa - the Polish National Film Archive - use the ARRISCAN Wet Gate to clean and digitize a rare and delicate print of the 1918 silent film MANIA.
《疯狂》的数字化修复  波兰国家电影资料馆的专家们使用ARRISCAN湿片门来清理和扫描1918年默片《疯狂》的脆弱拷贝。
KILLER JOE trailer Director William Friedkin's latest film is a small-town thriller about a contract killing that goes awry. Cinematographer Caleb Deschanel, ASC, chose to work with the ARRI ALEXA camera and ARRI/FUJINON Alura Zooms.
DRIVE trailer Directed by Nicolas Winding Refn and shot with ALEXA cameras by Newton Thomas Sigel, ASC, DRIVE is the story of a Hollywood stunt driver who offers out his skills to criminal gangs, only to find himself the intended target of a contract killing after a failed heist.
30 MINUTES OR LESS Based on a true story, the film stars Jesse Eisenberg as a pizza deliveryman who is forced to rob a bank after a bomb is strapped to his body. Two ARRIMAXes rented from Quixote Studios worked consistently throughout the shoot. The film was directed by Ruben Fleischer, shot by Jess Hall, BSC with John Nadeau as gaffer.
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