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Anthony Dod Mantle ASC, BSC, DFF discusses working with ARRI cameras on Oliver Stone’s Thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
AMIRA on Netflix’s THE IVORY GAME For THE IVORY GAME, the new Netflix documentary feature film about elephant poaching, an ARRI AMIRA was used as the main camera.
ALEXA Anamorphic Creates Poetic Look Captured on ALEXA in anamorphic by DP James Laxton, MOONLIGHT directed by Barry Jenkins, is one of the most critically acclaimed movies of the year.
Anthony Dod Mantle ASC, BSC, DFF discusses MultiFormat on Oliver Stone’s thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
THE GIRL ON THE TRAIN Trailer for THE GIRL ON THE TRAIN, directed by Tate Taylor and shot by Charlotte Bruus Christensen on ARRICAM with Master Primes.  
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ARRI ALEXA Mini on Oliver Stone’s thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with ALEXA 65 lenses and different locations "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ALEXA 65 system "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
SMB-2 Triple Filter Tray The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. Watch the video and see how the triple filter tray allows for the removal of unwanted "ghosting" or filter reflections.
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