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ALEXA SXT overview, ARRI workshop in Paris, December 2016 Marc Shipman-Mueller, Product Manager Camera Systems at ARRI, gives an overview about ALEXA SXT.
Recording formats overview, ARRI workshop in Paris, December 2016 Marc Shipman-Mueller, Product Manager Camera Systems at ARRI, gives an overview about recording formats requirements.
HDR overview, ARRI workshop in Paris, December 2016 Marc Shipman-Mueller, Product Manager Camera Systems at ARRI, gives an overview about High Dynamic Range (HDR).
Trailer for ROGUE ONE, captured with ALEXA 65 The first STAR WARS ANTHOLOGY movie is also the first film captured entirely with ALEXA 65. DP Greig Fraser ASC, ACS additionally used ARRI SkyPanel lights.
Greig Fraser ASC, ACS on working with ALEXA 65 With unsurpassed dynamic range and natural, accurate colour rendition, ARRI cameras have offered the best solution for HDR capture and display since the launch of ALEXA in 2010.
Best for HDR since 2010 With unsurpassed dynamic range and natural, accurate colour rendition, ARRI cameras have offered the best solution for HDR capture and display since the launch of ALEXA in 2010.
由ALEXA拍摄的电影《我不是潘金莲》 Cinematographer Luo Pan worked with ALEXA XT cameras and M-Series lights on this award-winning film from veteran Chinese director Feng Xiaogang.
Camerimage 2016: Simon Duggan ACS Cinematographer Simon Duggan ACS speaks to ARRI at Camerimage 2016 about why he chose ALEXA for the Mel Gibson WWII drama HACKSAW RIDGE, and how he developed different looks for the peacetime and battle scenes.
Camerimage 2016: Mattias Rudh FSF Working entirely with the ALEXA Mini, cinematographer Mattias Rudh FSF created an eerie, deep-focus look for the Jamie XX music video GOSH, directed by Romain Gavras. He discussed his visual approach with ARRI at Camerimage 2016.
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