ARRI Media: your media full-service package Ein Überblick über alle Services der ARRI Media
ARRI@Bavaria Film Open House Have a look at ARRI Media’s new production studios at the Bavaria Film premises!
Trailer for BAJIRAO MASTANI, captured with ALEXA Indian cinematographer Sudeep Chatterjee worked with ALEXA XT and Master Primes on director Sanjay Leela Bhansali's hit film, BAJIRAO MASTANI.
Berlinale 2016: Benoît Chamaillard Cinematographer Benoît Chamaillard speaks to ARRI about combining the ARRI ALEXA with Cooke anamorphic lenses on ROAD TO ISTANBUL, director Rachid Bouchareb’s film about a mother’s search for her radicalized daughter.
Berlinale 2016: Friede Clausz Cinematographer Friede Clausz discusses working with the ARRI ALEXA and compact ARRI/ZEISS Ultra Prime lenses on 24 WEEKS, director Anne Zohra Berrached’s drama about the moral dilemmas of abortion.
THE REVENANT: 'Director of Photography' featurette A short testament to the input of cinematographer Emmanuel Lubezki ASC, AMC in creating the immersive look and feel of Alejandro Iñárritu's film THE REVENANT, captured with ALEXA XT, ALEXA M and ALEXA 65 cameras, combined with ARRI lenses.
THE REVENANT: A World Unseen Behind the scenes on director Alejandro Iñárritu's multi-award-winning film THE REVENANT, shot by Emmanuel Lubezki ASC, AMC with ALEXA XT and ALEXA M cameras equipped with Master Prime lenses, as well as the ALEXA 65 large-format camera and Prime 65 lenses.
Berlinale 2016: Jessica Lee Gagné Cinematographer Jessica Lee Gagné discusses her work with ARRICAM LT 35 mm cameras and ARRI/ZEISS Master Prime lenses on director Denis Côté’s feature film BORIS SANS BÉATRICE (BORIS WITHOUT BEATRICE).
Berlinale 2016: Emre Erkmen Cinematographer Emre Erkmen explains how he combined the ARRI ALEXA camera with ARRI/ZEISS Master Anamorphic lenses on the film AUF EINMAL (ALL OF A SUDDEN), a German-Dutch-French co-production directed by Asli Ozge.