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ALEXA Mini NAB 2016 Showreel A glimpse of the wide range of shooting situations made possible by the compact, lightweight and versatile ALEXA Mini.
AMIRA IBC 2016 Showreel With optimized ergonomics for the single operator and the same image quality as ALEXA, the AMIRA is well suited to a diverse range of different production types.
ARRI Ultra Wide Zoom at the Ribbon Chapel in Japan Matthew Allard ACS uses the ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 on an architectural shoot at the Ribbon Chapel in Hiroshima, Japan.
Master Anamorphic Flare Sets showreel Tokyo-based production and shooting support company Digital Garden recently produced a showreel to demonstrate the creative possibilities of its Master Anamorphic Flare Sets, which were the first to arrive in Japan. Cinematographer Takehiko Fukae, working with director Shinichi Takamura and DIT Tatsuo Sasaki, combined the Master Anamorphics with ALEXA XT and ALEXA Mini cameras.
ARRI Media: your media full-service package Ein Überblick über alle Services der ARRI Media
ARRI@Bavaria Film Open House Have a look at ARRI Media’s new production studios at the Bavaria Film premises!
Trailer for BAJIRAO MASTANI, captured with ALEXA Indian cinematographer Sudeep Chatterjee worked with ALEXA XT and Master Primes on director Sanjay Leela Bhansali's hit film, BAJIRAO MASTANI.
Berlinale 2016: Benoît Chamaillard Cinematographer Benoît Chamaillard speaks to ARRI about combining the ARRI ALEXA with Cooke anamorphic lenses on ROAD TO ISTANBUL, director Rachid Bouchareb’s film about a mother’s search for her radicalized daughter.
Berlinale 2016: Friede Clausz Cinematographer Friede Clausz discusses working with the ARRI ALEXA and compact ARRI/ZEISS Ultra Prime lenses on 24 WEEKS, director Anne Zohra Berrached’s drama about the moral dilemmas of abortion.
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