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Morano discusses directing, DPing and operating handheld ALEXA with Master Anamorphics on the indie feature.
Celebrated Chinese DP Xiaofei Song discusses working with ARRI cameras and lenses on films such as the current box office smash-hit LOST IN HONG KONG.
DP Ottar Gudnason uses ALEXA XT cameras, Master Anamorphic lenses, ECS tools and M-Series lights from ARRI Rental, as well as post services from ARRI Media.
Top cinematographers are using ARRI Rental's ALEXA 65 camera on major movies, while new updates will extend the system's capabilities and appeal still further.
Manley talks about MAD MEN's striking look, the switch from film to ALEXA and his jump to the director's chair.
DP Pete Romano ASC discusses using ALEXA 65 to shoot an underwater sequence in MISSION: IMPOSSIBLE -- ROGUE NATION, the large format system's first production.