Director Jia Zhangke and DP Yu Lik-wai discuss using ALEXA and an ARRI/ZEISS Master Anamorphic lens on A TOUCH OF SIN, which is in competition at Cannes 2013.
The Oscar Award-winning DP talks about capturing on the ALEXA Studio in ARRIRAW for the blockbuster hit IRON MAN 3. This was Toll’s first digital feature.
Director Andrew Sinagra and DP Bill Bennett, ASC, seamlessly insert a CG car into live-action footage, utilizing metadata from the ALEXA Plus in post.
DP Gabriel Beristain, ASC, BSC details his work in the period TV drama set in late 1950s Miami Beach.
Roberto Schaefer, ASC, AIC, shoots his first feature with the ARRI ALEXA, a science fiction film from director Andrew Niccol.
Four new ALEXA XT models with in-camera ARRIRAW and a host of other features, several of which can be purchased as upgrades for existing ALEXAs.
ALEXA M is the ideal camera for 3D rigs, helicopter shots, underwater rigs, car interiors, action photography, Steadicam and handheld.