ALEXA homecoming

For a promotional film about the German soccer club FC Bayern, ALEXA returned to the site of one of its earliest test shoots: the Allianz Arena in Munich.

Film & Digital Times focuses on HUGO

DP Robert Richardson ASC, stereographer Demetri Portelli and first camera assistant Gregor Tavenner talk about the 3D artistry of HUGO.

EXTREMELY LOUD AND INCREDIBLY CLOSE

Colorist Stefan Sonnenfeld on working with Chris Menges, BSC, ASC, and grading Stephan Daldry's film, which was shot on the ARRI ALEXA.

Congratulations to Oscar nominees

Films shot using ARRI equipment feature heavily on the list of nominations for the 84th Academy Awards, which will be held in Hollywood on February 26th.

Shooting HELLO I MUST BE GOING

Director Todd Louiso and cinematographer Julie Kirkwood chose the ARRI ALEXA as the perfect tool to shoot their new indie feature.

Golden Globes salute movies and TV

Many Golden Globe winners relied on ARRI cameras and lighting. Click for the list of winners.

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New MP 135 Gallery

As part of the Master Prime 135 development project, we have provided a prototype of the lens with a PL-modified Canon 1D Mark IV to a number of prominent cinematographers and photographers to see what they would make of it. Not only were they very excited about the lens, but they created some stunning images.

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Scott Duncan: in the moment with ALEXA

While on location in Vancouver, Canada, award-winning cinematographer/director Scott Duncan talks about his passion for visual imagery and how the ARRI ALEXA has pushed his creativity from the world of film to HD. 

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