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ALEXA Studio
- Overview
- Output Options
- Technical Data
- Accessories
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The Flagship
At the pinnacle of the range is the ALEXA Studio, featuring a quiet, adjustable mirror shutter and an optical viewfinder that provides a real-time, high contrast image with true colors. The Studio is a direct response to cinematographersÂ’ requests for a camera that perfectly combines cutting edge digital image-making with traditional elements of the film cameras they have known and trusted for generations.
Another key feature of the ALEXA Studio is its 4:3 sensor, which makes it the only digital camera (aside from the ARRIFLEX D-21) to boast true anamorphic capability. Anamorphic lenses create a unique, cinematic look that has been appreciated by directors and cinematographers for over half a century, and cannot be created in post.
Main Features
- Film-like, organic look
- extended, clean highlights
- extremely low noise floor
- natural skin tones
- excellent color separation
- cinematic depth of field
- Wide exposure latitude of 14 stops
- EI 800 base sensitivity (EI 160 to EI 3200)
- Sharp, natural images for 2K and HD
- Multiple output options
- ProRes, DNxHD, ARRIRAW and HD-SDI
- Log C, Rec 709 or DCI P3
- ARRI Look Files for custom looks
- audio recording
- integrated rich metadata
- Apple ProRes
- QuickTime files
- any Apple ProRes codec
- native editing format for Final Cut Pro
- recording to SxS PRO cards
- AVID DNxHD
- MXF files
- DNxHD 115/120/145 or 175x/185x/220x codec
- native editing format for Media Composer
- recording to SxS PRO cards
- ARRIRAW
- best format for 2K deliverables
- best quality for VFX productions
- greatest flexibility in post
- best option for archiving
- uncompressed recording to onboard recorders
- HD-SDI
- uncompressed HD output
- wide range of compatible recorders
- integrates into existing HD infrastructures
- Rugged and reliable
- Simple and safe operation
- Well balanced, ergonomic design
- Carefully considered details
- Precision sync for 3D
- Powerful assistive displays, including
- surround view
- false color exposure check
- peaking focus check
- compare stored image with live image
- electronic level
- RETURN IN video
- optional anamorphic de-squeeze
- Compatible with existing accessories
- Worldwide ARRI service network
- Compatibility with industry standards
- PL mount lenses
- HD-SDI, ProRes, SxS PRO cards
- Gold mount or V-lock on-board batteries
- 12 or 24 V power inputs and outputs
- support for cmotion cvolution lens control systems
- support for third party on-board recorders
- support for ARRIRAW by third party post tools
- Numerous upgrade options
- upgradable Storage Interface Module
- upgradable Electronics Interface Module
- Exchangeable Lens Mount (ELM)
- easy and powerful free software updates
- new features through purchase of license
- Top of the Line ALEXA Camera
- Exceptional image quality
- Efficient and versatile workflows
- ARRI product quality
- Simple and safe operation
- Fully loaded: includes anamorphic de-squeeze and high speed licenses
- Optical Viewfinder
- Zero delay, artifact-free, natural motion portrayal
- Bright and sharp full color image
- Accurate color fidelity and white balance
- Best way to judge focus
- Easy on the eye
- Works without power
- Compatible with 8x and 10x 435 and 8x ARRICAM eyepieces, extensions and heated eyecups
- Spherical or anamorphic viewing, optic blocks for 2x or 1.3x anamorphic de-squeeze available
- Can be replaced with ALEXA Electronic Viewfinder
- Rotating Mirror Shutter
- No rolling shutter artifacts
- 4:3 Super 35 Active Sensor Area
- Ideal for anamorphic shoots
- Room for vertical repositioning of spherical images
ALEXA XT FAQs
Screening Room
NAB 2013: ALEXA XT Workflow and XR Capture Drive
A look at the new XR recording module on the ALEXA XT which now allows ARRIRAW recording and compressed formats in-camera to Codex Capture Drives.
ALEXA XR Module Workflows
ALEXA Pocket Guide WebApp
Contact Options
Tools
Screening Room
ALEXA Showreel NAB 2013
The current ARRI ALEXA Showreel which premiered at NAB 2013
ALEXA License Shop
