ALEXA Plus 4:3
The Multi-talent
At NAB 2012 ARRI is announcing the ALEXA Plus 4:3, a new ALEXA model that has similar functionality to the ALEXA Plus but features a 4:3 Super 35 sensor, the ability to switch from 16:9 sensor mode to 4:3 sensor mode, and built-in licenses for high speed shooting, DNxHD recording and anamorphic de-squeeze.
The ALEXA Plus 4:3 joins the ALEXA Studio and ALEXA M, which already have 4:3 sensors, rounding out a line-up that now represents the perfect solution for anamorphic productions. The Studio might typically function as an A-camera, the Plus 4:3 as a B-camera and the M as a compact, versatile C-camera.
With the ALEXA 4:3 cameras, the full area of the sensor is used and a much higher image quality retained. In addition, the unique optical characteristics of anamorphic lenses the magic at the heart of anamorphic cinematography are rendered faithfully and fully in the digital image.
Main Features
EXCEPTIONAL IMAGE PERFORMANCE
- Film-like, organic look
- Wide exposure latitude
- 14 stops over the entire EI range as measured with the ARRI Dynamic Range Test Chart
- extended, clean highlights
- extremely low noise floor
- High sensitivity
- base EI 800
- adjustable from EI 160 to EI 3200
- ARRI color science
- natural color reproduction, especially for skin tones
- excellent color separation
- holds up very well when over and underexposed
- Sharp, natural images for HD, 2K or 4K deliverables
EFFICIENT AND VERSATILE WORKFLOWS
- Multiple output options
- ARRIRAW, ProRes, DNxHD (1) and HD-SDI
- Log C or Rec 709 gamma
- ARRI Look Files for custom looks
- metadata embedded in all file formats and outputs
- ARRIRAW
- uncompressed, unencrypted raw sensor data
- greatest image quality from ALEXA
- greatest flexibility in post
- best option for future-proof archiving
- Apple ProRes
- in-camera recording
- all five Apple ProRes codecs
- HD or 2K
- native Final Cut Pro support
- DNxHD (1)
- in-camera recording
- MXF wrapped files (SMPTE standard compliant)
- DNxHD 145 and DNxHD 220x codecs
- native Avid Media Composer support
- Online tools and downloadable apps
(1) DNxHD recording not possible with SUP 8.0. Possible in SUP 7.0 and will be back in SUP 9.0
SIMPLE AND SAFE OPERATION
- ARRI Product Quality
- Rugged and reliable
- sealed electronics compartment
- unique cooling system
- stable lens mount/sensor holder
- Intuitive, easy to use controls
- same interface on all ALEXA models
- High quality electronic viewfinder
- Powerful assistive displays, including
- surround view
- false color exposure check
- peaking focus check
- compare stored image with live image
- RETURN IN video
- Well balanced, ergonomic body design
- Global ARRI service network
OPEN, FUTURE-PROOF ARCHITECTURE
- Compatibility with industry standards
- PL mount lenses
- Apple ProRes, Avid DNxHD, HD-SDI and SxS PRO cards
- Gold mount or V-lock on-board batteries
- 12 or 24 V power inputs and outputs
- ARRIRAW support through ARRI Partner Program and ARRIRAW SDK
- Numerous upgrade options
- upgradable in-camera recording module
- upgradable electronics interface module
- Exchangeable Lens Mount (ELM)
- easy and powerful free software updates
- new features through purchase of license
- Long product cycles
ALEXA PLUS UNIQUE FEATURES
- Built-in Remote Control Features
- ARRI Wireless Remote System (WRS) functionality
- real-time wired or wireless remote control of lens and camera REC/STOP
- Built-in Lens Data System (LDS)
- lens mount includes new LDS contacts
- numerical lens data and depth of field display in viewfinder and MON OUT
- lens metadata in ProRes, HD-SDI and ARRIRAW (SUP 3.0)
- Lens Data Archive (LDA) for use with non-LDS lenses
- A Second MON OUT Output (1.5G HD-SDI)
- A Third RS Accessory Power Output
- Lens Synchronization for 3D
- Built-in Position and Motion Sensors
- Quick Switch BNC Connectors
- can be exchanged without camera disassembly