MOUNTAINS OF THE MOON trailer Director Kamaleswar Mukherjee's Bengali film MOUNTAINS OF THE MOON tells the story of Shankar, who bids farewell to his family in rural Bengal and sets out in search of adventure and riches. Cinematographer Soumik Halder captured in ProRes with ALEXA, utilizing a full set of ARRI/ZEISS Ultra Prime lenses, as well as an ARRI/FUJINON Alura Zoom 45-250.
NAB 2014: DP Bill Bennett ASC's Aerial Shoot with the Ultra Wide Zoom For the ARRI NAB Speaker Series, cinematographer Bill Bennett, ASC talked about using the Ultra Wide Zoom UWZ-1 on a spectacular helicopter shoot in Los Angeles.
NAB 2014: ARRI/ZEISS Master Anamorphic 135mm ARRI's Product Manager for lenses Thorsten Meywald shows us the MA 135mm which begins shipping this summer 2014.
NAB 2014: ARRI Alura Lens Data System Extenders LDS The new Alura Lens Data System (LDS) 1.4x and 2.0x Extenders are the perfect products to extend the focal length range of zoom and prime lenses.
GRAVITY trailer Directed, co-written, co-produced and co-edited by Alfonso Cuarón, GRAVITY was captured in ARRIRAW with ALEXA cameras and Master Prime lenses by cinematographer Emmanuel "Chivo" Lubezki, ASC, AMC, who won an Oscar® as well as BAFTA, ASC and Camerimage awards for his remarkable visuals.
Behind the scenes on GRAVITY Directed, co-written, co-produced and co-edited by Alfonso Cuarón, GRAVITY was captured in ARRIRAW with ALEXA cameras and Master Prime lenses by cinematographer Emmanuel "Chivo" Lubezki, ASC, AMC, who won an Oscar® as well as BAFTA, ASC and Camerimage awards for his remarkable visuals.
THE WOLF OF WALL STREET trailer Shot on ARRICAMS and ALEXA by Rodrigo Prieto ASC, AMC THE WOLF OF WALL STREET tells the surreal life of stockbroker Jordan Belfort.
I SEE: Master Anamorphic clip Cinematographer Sheng Lu combined the 50 mm ARRI/ZEISS Master Anamorphic lens with an ALEXA M on the film I SEE, which he shot in Baotou, China. Finding that he could work in very low lighting conditions with the T1.9 lens, Lu was pleased with the Master Anamorphics' performance across the T-stop range and to the very corners of the image.
Ultra Wide Zoom 9.5-18/T2.9 test shoot Cinematographer Tom Faehrmann puts the new ARRI UWZ 9.5-18/T2.9 super wide-angle zoom through its paces, taking the prototype out for a test shoot around Munich.