Master Anamorphic Flare Sets showreel Cinematographer Tom Faehrmann tests the new Master Anamorphic Flare Sets, which enhance on-set creativity by giving each of the seven focal lengths three additional looks without sacrificing the resolution, lack of distortion or corner-to-corner optical performance for which the Master Anamorphics are famous.
ARRI Big Screen Experience 2014 intro ARRI’s Marc Shipman-Mueller introduces the ARRI Big Screen Experience at Camerimage 2014, which provided an overview of the amazing variety of production types, distribution formats and deliverables that can be accommodated when shooting with ARRI cameras and lenses.
Stijn Van der Veken, ASC, SBC interview Belgian cinematographer Stijn Van der Veken, ASC, SBC talks with ARRI’s Marc Shipman-Mueller during the ARRI Big Screen Experience at Camerimage 2014, giving his view of what it’s like to work with the ARRI/ZEISS Master Anamorphic lenses.
A MOST VIOLENT YEAR trailer J.C. Chandor's A MOST VIOLENT YEAR is a thriller set in New York in the winter of 1981, when crime in the city was rife. Cinematographer Bradford Young used ALEXA XT Studio, XT Plus and XT M cameras with ARRI/ZEISS Master Anamorphic lenses, as well as M18, M40 and M90 HMI lights from the ARRI M-Series.
UNBROKEN, shot with ALEXA and Master Primes Directed by Angelina Jolie, UNBROKEN tells the remarkable true story of Louis Zamperini, an American runner who competed at the 1936 Berlin Olympics before fighting in World War II. Cinematographer Roger Deakins, CBE, ASC, BSC, worked with the latest generation of ALEXA XT cameras on the film, combining them with ARRI/ZEISS Master Prime lenses.
Coca-Cola "Make Someone Happy" Commercial “Make Someone Happy" Coca-Cola's Christmas campaign, directed by Max Blanco and shot by DP Mischa Lluch with ARRI / ZEISS Master Anamorphics on ALEXA XTs from ARRI Rental in New Jersey.
Ultra Wide Zoom aerial shoot The ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 is an exceptionally high-performing, distortion-free wide-angle zoom lens for the professional cine market. Cinematographer Bill Bennett, ASC, recently combined the UWZ with an ALEXA M on an aerial shoot in the skies above LA, using an MBB Bo 105 helicopter and Gyron gyro-stabilized mount from Wolfe Air Aviation.
Behind the scenes: BIRDMAN Go behind the scenes with the cast and crew of BIRDMAN, captured on ALEXA M and ALEXA XT cameras from ARRI Rental in New Jersey.
Watch: As You Were Captured on ALEXA, AS YOU WERE follows a young soldier who returns home with new robotic prosthetics to replace his arm and leg lost in battle.