FIRE AT SEA press conference At a Berlinale 2016 press conference Gianfranco Rosi, who won the Golden Bear for FIRE AT SEA, discusses how important the ARRI AMIRA was on this powerful documentary about the European migrant crisis.
IBC 2015: ARRI AMIRA AMIRA product manager Markus Duerr explains the latest camera updates, including new codecs, improved audio options and an intervalometer function for time lapse sequences.
The best cameras for the best images ARRI offers a range of different camera models, providing the perfect solution for any production type or shot requirement. All of the cameras share ARRI’s unique combination of the highest image quality with the most efficient workflows on set and in post, which sets a gold standard for the industry.
AMIRA IBC 2015 show reel Adopted by the industry as a camera of unsurpassed versatility, AMIRA is used on a wide variety of production types, including music videos, sports, TV series, documentaries, commercials and independent features.
Toyota: To Be a Dad For Toyota's "To Be a Dad," director Lauren Greenfield and DP David Morrison interviewed 100 real-life fathers from all walks of life which they captured on AMIRA. The result is an emotional, authentic look at the role of fatherhood and its impact.
AMIRA en el filme peruano de terror NO ESTAMOS SOLOS (Español) El director de fotografía peruano Julián Amaru Estrada, DFP, utilizó recientemente la ARRI AMIRA para rodar el filme de terror y suspenso NO ESTAMOS SOLOS.
Carolina Costa at Cannes 2015 DP Carolina Costa speaks to ARRI at the 2015 Cannes Film Festival about her work on LAS ELEGIDAS (THE CHOSEN ONES), which was captured in ARRIRAW with ALEXA. This interview was captured with AMIRA, ARRI's documentary-style camera.
Joshua Richards at Cannes 2015 DP Joshua Richards speaks to ARRI at the 2015 Cannes Film Festival about his work on SONGS MY BROTHERS TAUGHT ME, which was captured with ALEXA. This interview was captured with AMIRA, ARRI's documentary-style camera.
Roger Deakins, ASC, BSC, CBE at Cannes 2015 Legendary DP Roger Deakins speaks to ARRI at the 2015 Cannes Film Festival about his work on SICARIO, which was captured with ALEXA in Open Gate mode. This interview was captured with AMIRA, ARRI's documentary-style camera.