AMIRA on Netflix’s THE IVORY GAME For THE IVORY GAME, the new Netflix documentary feature film about elephant poaching, an ARRI AMIRA was used as the main camera.
THE GIRL ON THE TRAIN Trailer for THE GIRL ON THE TRAIN, directed by Tate Taylor and shot by Charlotte Bruus Christensen on ARRICAM with Master Primes.
Venice 2016: interview with Vincent Biron Vincent Biron, director and cinematographer of PRANK, speaks with ARRI about working with the AMIRA camera for its ergonomic design and suitability for a fast, flexible and responsive shooting style.
Impressions of ARRI at the Deauville American Film Festival 2016 from September 2 to 11, 2016
AMIRA IBC 2016 Showreel With optimized ergonomics for the single operator and the same image quality as ALEXA, the AMIRA is well suited to a diverse range of different production types.
Bringing THE BFG to Life A behind the scenes look on the set of THE BFG, directed by Steven Spielberg and shot by Janusz Kaminski on ALEXA.
The new look on wild Brazil Utilizing a variety of customized camera techniques, Emmy award-winning cinematographer Cristian Dimitrius delivers a new and exciting view of the wildlife found in his native Brazil.
Experience ARRI at Cannes 2016 Highlights from ARRI’s presence at the 69th Cannes Film Festival.
Sébastien Godefroy at Cannes 2016 Cinematographer Sébastien Godefroy speaks with ARRI at the 69th Cannes Film Festival about shooting Sébastien Betbeder’s feature film LE VOYAGE AU GROENLAND with AMIRA and ARRI/ZEISS Ultra Prime lenses. Photos courtesy of Envie de Tempête Production.