65 mm reborn. The new large-format system.
The best just got better.
The family just got bigger. And smaller.
Go anywhere, shoot anything.
The largest matched range of modern cine primes and zooms, as well as top quality filters.
Any camera. Any lens.
For most professional cameras on the market.
Creativity in motion.
The most complete camera systems ever built.
Soft Lighting | Redefined
Cut. Shape. Focus. Tune.
More light, less work
State-of-the-art, long-life electronic ballasts for optimum image quality
High performance and quality LED luminaires
Fresnel and open-face fixtures ranging from 125 to 18,000 W
Classic Fresnel fixtures ranging from 150 to 24,000 W
Tungsten, Daylight and LED kits fully equipped with all vital accessories backed in robust and reliable cases.
Professional Lighting Accessories - cables, grip, stands and much more
Turnkey solutions for TV studios worldwide
The most extensive range of innovative lighting products.
Solutions for motion picture archives.
ARRI Rental - We've got you covered.
The best support your vision can get.
Fully digital 3D surgical microscope.
Professional filmmaking for medical media productions.
A new era in surgical imaging.
Morrison talks about documenting intimate interviews with fathers on AMIRA and his process working with director Lauren Greenfield.
DP Joe Kessler began shooting MARON in 2013, and has just wrapped up its third season, which was captured with the AMIRA.
DP Alexander Kubasov on why he chose AMIRA and Alura Zooms for a Russian documentary on Everest, and what happened when an earthquake hit at 5,200 meters.
Captured on AMIRAs, AMC's hit miniseries MAKING OF THE MOB tells the remarkable story of the formation of the modern mafia.
For SIRENS OF CRYSTAL RIVER, Dimitrius took the ARRI AMIRA underwater to film wild manatees in Florida.
From Croatia to California, AMIRA documents the story for director Lesley Chilcott and cinematographer Logan Schneider.
You are not logged in.
Forgotten your password?
87 ways to stage your story