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DP K.K. Senthil Kumar combines Master Primes with ALEXA XT and the Open Gate format on BAAHUBALI: THE BEGINNING, the most expensive Indian film ever made.
2nd unit cinematographer David Burr ACS and coordinating camera assistant Michelle Pizanis discuss working with a fleet of 10 ALEXAs on MAD MAX: FURY ROAD.
DP Morteza Gheidi shoots ProRes 2K with ALEXA for Ida Panahandeh's hard-hitting drama film NAHID, which won an award in the Un Certain Regard section at Cannes.
Captured on ALEXA, RESULTS is a comedy from writer/director Andrew Bujalski, shot by Matthias Grunsky. RESULTS won the 2014 Film Independent ARRI Feature Film Grant.
ARRI interviews five cinematographers in Cannes who all had films in competition that were shot with ALEXA cameras, including Roger Deakins ASC, BSC, CBE.
Colorist Paul Sage of Light Iron talks about his role shaping final looks on various ALEXA projects.
Please install SUP 4.3.23 to all ARRI Wireless Video System devices